Popular Religion in the Pala Period: Evidence from Iconographic Study of Four Female Deities from Northern Bengal

This article is an iconographic study of four sculptures from northern Bengal, of four female deities associated with Vajrayana Buddhist and Brahmanical cultic and religious practices: Aparajita, Rudra-Camunda, a snake goddess, and Mesavahini Sarasvati. They are housed at the Akshaya Kumar Maitreya...

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Détails bibliographiques
Auteur principal: Sarker, Archishman (Auteur)
Type de support: Électronique Article
Langue:Anglais
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Publié: Equinox 2019
Dans: Religions of South Asia
Année: 2019, Volume: 13, Numéro: 1, Pages: 51–75
Sujets / Chaînes de mots-clés standardisés:B Pala, Famille 750-1150 / Bengalis (Nord) / Déesse / Vajrayâna / Religion populaire / Brahmanisme
RelBib Classification:BK Hindouisme
KBM Asie
TE Moyen Âge
Sujets non-standardisés:B Snake goddess
B Iconography
B Meṣavāhinī Sarasvatī
B Cāmuṇḍā
B Aparājitā
B Pāla-Sena art
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Résumé:This article is an iconographic study of four sculptures from northern Bengal, of four female deities associated with Vajrayana Buddhist and Brahmanical cultic and religious practices: Aparajita, Rudra-Camunda, a snake goddess, and Mesavahini Sarasvati. They are housed at the Akshaya Kumar Maitreya Heritage Museum in North Bengal University, the Balurghat College Museum and the Coochbehar Palace Museum—three regional museums in northern West Bengal. Their provenance indicates that they were produced in the heart of the Varendri region, in present-day West Bengal (India) and Bangladesh. This study sheds light on the background in which these images were conceived—that of the co-existence of Vajrayana Buddhist practices and philosophy, several major and minor Brahmanical cults, and other local religious practices whose existence pre-dates both Buddhism and organized Brahmanism.
ISSN:1751-2697
Contient:Enthalten in: Religions of South Asia
Persistent identifiers:DOI: 10.1558/rosa.19249