Gender Constructions in the Theological Dimension of the Sufi Premakhyans: Sufi Politics of Representation in the Citravali by Usman
Through the analysis of the Citravali (1613 ce) by Usman, this article explores the interrelation between aesthetics, gender and religion within the Indian Sufi romances (premakhyans) in Avadhi language. These narratives reinterpret the Sufi semantics of love, narrating the quest of the hero in yogi...
| Auteur principal: | |
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| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
Equinox
2019
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| Dans: |
Religions of South Asia
Année: 2019, Volume: 13, Numéro: 3, Pages: 368–384 |
| Sujets / Chaînes de mots-clés standardisés: | B
Usamāna, Citrāvalī
/ Awadhi
/ Poésie religieuse
/ Soufisme
/ Romance
/ Krischna
/ Héroïne
/ Facteur socioculturel
/ Politique religieuse
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| RelBib Classification: | AD Sociologie des religions BJ Islam KBM Asie |
| Sujets non-standardisés: | B
Sūfī Indian literature
B Aesthetics B early modern India B Gender |
| Accès en ligne: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Résumé: | Through the analysis of the Citravali (1613 ce) by Usman, this article explores the interrelation between aesthetics, gender and religion within the Indian Sufi romances (premakhyans) in Avadhi language. These narratives reinterpret the Sufi semantics of love, narrating the quest of the hero in yogic disguise in search of the heroine, portrayed as a divine woman. Usman creatively reimagines the heroine of his romance as an artist, drawing on this motif to trace the allegory of creation as divine art. Therefore, this article identifies conventional aesthetic patterns in Usman’s narrative reproducing relevant gender dynamics, such as the eroticized and yet idealized image of the heroine in relation to the hero’s spiritual growth, contrasting with the escalation of the villain’s sexual desire. The traditional Hindu setting of the story broadly reflects the socio-cultural norms of the North Indian world in early modern times, and implies gender hierarchies established by the local society. The intersection of these points in the Citravali suggests further reflections on the articulation of gender in a rich branch of Sufi literature composed in a regional language of India, which may open new perspectives in the interpretation of the relationship between mysticism and eroticism. |
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| ISSN: | 1751-2697 |
| Contient: | Enthalten in: Religions of South Asia
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| Persistent identifiers: | DOI: 10.1558/rosa.19015 |