Watching Guzikowski and Villeneuve’s Prisoners through the Lens of Patristic Teachings on Evil
The 2013 film Prisoners, written by Aaron Guzikowski and directed by Denis Villeneuve, was the most profoundly Christian film produced by Hollywood that year. Yet its many spiritual themes have gone largely unexplored by Christian film critics and theologians. Among the most striking of these themes...
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| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
University of Saskatchewan
2020
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| Dans: |
Journal of religion and popular culture
Année: 2020, Volume: 32, Numéro: 3, Pages: 219-230 |
| Sujets non-standardisés: | B
Demons
B Evil B Theodicy B Sin B Church Fathers B Film noir |
| Accès en ligne: |
Volltext (lizenzpflichtig) |
| Édition parallèle: | Électronique
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| Résumé: | The 2013 film Prisoners, written by Aaron Guzikowski and directed by Denis Villeneuve, was the most profoundly Christian film produced by Hollywood that year. Yet its many spiritual themes have gone largely unexplored by Christian film critics and theologians. Among the most striking of these themes is a much-neglected idea concerning the sources of evil in our world, an idea with deep historical roots in scripture and patristic theology. In this article, I explore this idea and seek to show how Prisoners is effective in conveying its spiritual force and practical import for the lives of believers. |
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| ISSN: | 1703-289X |
| Contient: | Enthalten in: Journal of religion and popular culture
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