Down-to-Earth Zen: Zen Buddhism in Japanese Manga and Movies
This paper analyzes some examples of the interconnections between Zen Buddhism and popular culture, notably manga and movies. In particular, it explores the recent manga Bōzu days (2007-2011) and the movies Fancy Dance (1989) and Abraxas matsuri (2010). In these works, Zen’s everyday and dow...
| Auteur principal: | |
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| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
[publisher not identified]
2015
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| Dans: |
Journal of global buddhism
Année: 2015, Volume: 16, Pages: 37-50 |
| Sujets non-standardisés: | B
Zen Buddhism
B Popular Culture B Movies B Manga |
| Accès en ligne: |
Volltext (kostenfrei) Volltext (kostenfrei) |
| Informations sur les droits: | CC BY-NC 4.0 |
| Résumé: | This paper analyzes some examples of the interconnections between Zen Buddhism and popular culture, notably manga and movies. In particular, it explores the recent manga Bōzu days (2007-2011) and the movies Fancy Dance (1989) and Abraxas matsuri (2010). In these works, Zen’s everyday and down-to-earth character comes to the fore, while zazen meditation occupies a relatively small place. As amply explored by scholarly works over the last few decades, the former aspect is usually overlooked in Zen presentations in the West while the latter is in line with a view of this religious tradition that has been adapted for its dissemination outside of Japan. My analysis aims to shed light on how aspects of popular culture employ Zen Buddhist features to create commercial products that are meant to reach a wide audience, and how Zen Buddhism is represented in these products. |
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| ISSN: | 1527-6457 |
| Contient: | Enthalten in: Journal of global buddhism
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| Persistent identifiers: | DOI: 10.5281/zenodo.1305880 |