Towards a Spirituality À Rebours?: Traces of Post-Secular Discourse in Selected Movies of Małgorzata Szumowska
The paper aims at a scrutiny of traces showing that Małgorzata Szumowska, in several of her mov-ies (33 sceny z życia [33 Scenes from Life]; Body/Ciało [Body]; W imię... [In the Name of]; Twarz[Mug]), plays with the models of metaphysical cinema, at the same time juxtaposing them with phe-nomena and...
Main Author: | |
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Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
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Published: |
Wydawn. Uniw. Jagiellońskiego
2018
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In: |
Studia religiologica
Year: 2018, Volume: 51, Issue: 2, Pages: 103-113 |
Further subjects: | B
post-secular discourse
B kino metafizyczne B modern Polish cinema B dyskurs postsekularny B New Spirituality B nowa duchowość B współczesne polskie kino B metaphysical cinema |
Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
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520 | |a The paper aims at a scrutiny of traces showing that Małgorzata Szumowska, in several of her mov-ies (33 sceny z życia [33 Scenes from Life]; Body/Ciało [Body]; W imię... [In the Name of]; Twarz[Mug]), plays with the models of metaphysical cinema, at the same time juxtaposing them with phe-nomena and processes connected with the shaping of the so-called “new spirituality.” Szumowska creates her movies along the lines of the thinking of postmodern philosophers who build on the differences between religiosity and spirituality. Films that at first glance seem secular and avoid straightforward questions about faith (questions that would be strictly theological), make manifest the traits of human existence in the postmodern world, an existence marked with insatiability, lone-liness, despair, disorientation, doubt, and emptiness, and attempt to find a cinematic language that would visualize the reality and the phenomenon of the struggle between what is carnal and what is spiritual. | ||
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650 | 4 | |a kino metafizyczne | |
650 | 4 | |a metaphysical cinema | |
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650 | 4 | |a nowa duchowość | |
650 | 4 | |a post-secular discourse | |
650 | 4 | |a współczesne polskie kino | |
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