Religion and Prison Art in Ming China (1368–1644): Creative Environment, Creative Subjects
Approaching the prison as a creative environment and imprisoned officials as creative subjects in Ming China (1368-1644), Ying Zhang introduces a few important themes at the intersection of premodern Chinese religion, poetry, and visual and material culture. The Ming is known for its extraordinary c...
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| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
Brill
[2020]
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| Dans: |
Brill research perspectives in religion and the arts
Année: 2019, Volume: 3, Numéro: 3, Pages: 1-102 |
| Sujets non-standardisés: | B
Prison
B creative subject B premodern Chinese art B Material Culture B creative environment B Chinese religion B Poetry B Confucianism B the art of living |
| Accès en ligne: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
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