Musical negotiations of a ‘moderate’ versus a ‘radical’ Islam in Morocco: dissonance and the sonic among vocal performers of Islam-inspired music

This article explores how in Morocco, music is used to construct and subvert discourses on a ‘moderate’ vs. a ‘radical’ Islam. I focus on experiences and practices of vocal performers of Islam-inspired music, who operate in two different musical domains: state-sponsored stages for Sufi music, and no...

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Bibliographische Detailangaben
1. VerfasserIn: Laan, Nina (VerfasserIn)
Medienart: Elektronisch Aufsatz
Sprache:Englisch
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Veröffentlicht: Routledge 2021
In: Religion
Jahr: 2021, Band: 51, Heft: 2, Seiten: 214-236
normierte Schlagwort(-folgen):B Marokko / Islam / Gesang / Musiker / Selbstdarstellung / Friedfertigkeit / Radikalismus
RelBib Classification:AG Religiöses Leben; materielle Religion
BJ Islam
KBL Naher Osten; Nordafrika
weitere Schlagwörter:B religious politics
B Islam
B Morocco
B Music
B Dissonance
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Beschreibung
Zusammenfassung:This article explores how in Morocco, music is used to construct and subvert discourses on a ‘moderate’ vs. a ‘radical’ Islam. I focus on experiences and practices of vocal performers of Islam-inspired music, who operate in two different musical domains: state-sponsored stages for Sufi music, and non-state-sponsored stages for anashid – acapella Islamic songs, generally associated with more orthodox interpretations of Islam. Based on extensive ethnographic fieldwork among these artists, I analyze how the Moroccan response to the War on Terror, and concomitant perceptions of ‘radical’ versus ‘moderate’ Islam, affect the ways in which they present themselves and their music. I propose the notion of ‘dissonance’ to demonstrate how the artists’ musical practices, as well as their narratives of performance, ethics, and emotions converge with, yet simultaneously also rub against state discourses on a ‘moderate’ vs. a ‘radical’ Islam.
ISSN:1096-1151
Enthält:Enthalten in: Religion
Persistent identifiers:DOI: 10.1080/0048721X.2021.1865602