Uncertainty as a Poetic Principle: A Reading of the Opening Scene in Joseph Ben Zabara’s The Book of Delight

Abstract This article proposes a new reading of the opening scene of Joseph Ben Meir Ibn Zabara’s twelfth century (at the latest: 1209) The Book of Delight . This reading derives from the hypothesis that this art of storytelling is based on a poetic principle of uncertainty, and is therefore associa...

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Détails bibliographiques
Auteur principal: Einat-Nov, Idit (Auteur)
Type de support: Électronique Article
Langue:Anglais
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Publié: Brill 2021
Dans: European journal of jewish studies
Année: 2021, Volume: 15, Numéro: 1, Pages: 153-168
Sujets / Chaînes de mots-clés standardisés:B Ibn-Zabârā, Yôsēf Ben-Mē'îr 1140-, Sefer shaʿashuʿim / Incertitude (Motif)
RelBib Classification:BH Judaïsme
Sujets non-standardisés:B The Book of Delight
B Uncertainty
B the uncanny
B Joseph Ben Meir Ibn Zabara
Accès en ligne: Volltext (Resolving-System)
Volltext (Verlag)
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Résumé:Abstract This article proposes a new reading of the opening scene of Joseph Ben Meir Ibn Zabara’s twelfth century (at the latest: 1209) The Book of Delight . This reading derives from the hypothesis that this art of storytelling is based on a poetic principle of uncertainty, and is therefore associated with the various forms of the ambiguous and the ambivalent (the grotesque, the uncanny, the ironic, etc.). As I have argued elsewhere about other rhymed Hebrew stories, this approach is appropriate, in my view, to the character of some of the most fascinating rhymed stories produced in medieval Hebrew literature. In the present study I suggest yet another demonstration of the poetic benefit that can accrue from the adoption of this approach.
ISSN:1872-471X
Contient:Enthalten in: European journal of jewish studies
Persistent identifiers:DOI: 10.1163/1872471X-BJA10018