Judaism and Islam, one God one music: the history of Jewish paraliturgical song in the context of Arabo-Islamic culture as revealed in its Jewish Babylonian sources
The 1954 Miṣḥaf as a Holy Book of Paraliturgical Songs -- The 1954 Miṣḥaf as a History Book of Paraliturgical Songs -- The Paraliturgical Practice and Text: Typical Features Emerging from the Written Sources -- The Paraliturgical Melody: Characteristics Emerging from Both the 1906 and the 1954 Mṣāḥ...
Auteur principal: | |
---|---|
Type de support: | Imprimé Livre |
Langue: | Anglais |
Service de livraison Subito: | Commander maintenant. |
Vérifier la disponibilité: | HBZ Gateway |
Achat d’un livre: | En cours de chargement...
|
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Publié: |
Leiden Boston
Brill
[2020]
|
Dans: |
Brill's series in Jewish studies (volume 66)
Année: 2020 |
Collection/Revue: | Brill's series in Jewish studies
volume 66 |
RelBib Classification: | BH Judaïsme |
Sujets non-standardisés: | B
Jewish religious poetry, Hebrew
History and criticism
B Chant liturgique B Synagogue music (Iraq) (Baghdad) B Piyutim History and criticism B Arabs (Iraq) Songs and music Influence B Judaism Relations Islam B Irak B Islam Relations Judaism B Islam B Piyyout B Jews (Iraq) (Baghdad) Songs and music B Judaïsme B Publication universitaire B Dialogue interreligieux |
Résumé: | The 1954 Miṣḥaf as a Holy Book of Paraliturgical Songs -- The 1954 Miṣḥaf as a History Book of Paraliturgical Songs -- The Paraliturgical Practice and Text: Typical Features Emerging from the Written Sources -- The Paraliturgical Melody: Characteristics Emerging from Both the 1906 and the 1954 Mṣāḥif. "In Judaism and Islam One God One Music, Merav Rosenfeld-Hadad offers the first substantial study of the history and nature of the Jewish Paraliturgical Song, which developed in the Arabo-Islamic civilization between the tenth and the twentieth centuries. Commonly portrayed as clashing cultures, Judaism and Islam appear here as complementary and enriching religio-cultural sources for the Paraliturgical Song's texts and music, poets and musicians, as well as the worshippers. Relying chiefly on the Babylonian-Jewish written sources of the genre, Rosenfeld-Hadad gives a fascinating historical account of one thousand years of the rich and vibrant cultural and religious life of Middle Eastern Judaism that endured in Arabo-Islamic settings. She convincingly proves that the Jewish Paraliturgical Song, like its people, reflects a harmonious hybridization of Jewish and Arabo-Islamic aesthetics and ideas"-- |
---|---|
Description: | Revised dissertation (Ph. D.), St. Edmund's College (University of Cambridge), 2009 Includes bibliographical references (pages 257-280) and index |
ISBN: | 900441262X |