Korean Single-Sheet Buddhist Woodblock Illustrated Prints Produced for Protection and Worship
This paper examines the characteristics and production background of major examples of single-sheet Buddhist woodblock illustrated prints. In the form a single sheet of paper, the original first prints were not easily handed down, and in most cases the date and place of production are not clearly kn...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
MDPI
[2020]
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| In: |
Religions
Year: 2020, Volume: 11, Issue: 12 |
| Further subjects: | B
belief in Chilseong 七星
B single-sheet woodblock illustrated Buddhist print B dharani B Talismans B protection of the dharma B Suryukjae 水陸齋 ritual B Three Gates Buddhist Practice 三門修業 B objects of worship or spiritual practice |
| Online Access: |
Volltext (doi) Volltext (kostenfrei) |
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| 520 | |a This paper examines the characteristics and production background of major examples of single-sheet Buddhist woodblock illustrated prints. In the form a single sheet of paper, the original first prints were not easily handed down, and in most cases the date and place of production are not clearly known. These factors made systematic research difficult, but the release of various related materials has recently enabled comprehensive study of the subject. As materials substantiating Buddhism’s religious role in society and the propagation activities of temples, single-sheet Buddhist prints hold great value. Research showed that two major types of single-sheet Buddhist prints were made: dharani-type prints used as talismans and prints used for worship or spiritual practice. The former type was likely made for self-protection or Buddhist enshrinement in statues for their protection and to seek blessings for this meritorious deed or to protect the dharma. The latter type was used as a visual aid in worship and chanting. They can be divided into prints featuring universally loved icons and prints featuring icons reflecting the trends of certain periods. They were analyzed in relation to popular beliefs and methods of spiritual practice in the Buddhist circle as well as trends in faith among the ordinary people. | ||
| 601 | |a Buddhist | ||
| 601 | |a Worship | ||
| 650 | 4 | |a Suryukjae 水陸齋 ritual | |
| 650 | 4 | |a Three Gates Buddhist Practice 三門修業 | |
| 650 | 4 | |a belief in Chilseong 七星 | |
| 650 | 4 | |a dharani | |
| 650 | 4 | |a objects of worship or spiritual practice | |
| 650 | 4 | |a protection of the dharma | |
| 650 | 4 | |a single-sheet woodblock illustrated Buddhist print | |
| 650 | 4 | |a Talismans | |
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