The Figure of Radha in Miniature Paintings: From the Pastoral to the Courtly, from Text to Visuality, from Polyphony to Normativity

This article analyses how Radha was depicted in miniature paintings between the 16th and 19th century in North India. Interrogating the link between text and image, contrasting poetry, style and historical settings with the visual representations of this central figure, the reflections focus on the...

Description complète

Enregistré dans:  
Détails bibliographiques
Auteur principal: Cattoni, Nadia (Auteur)
Type de support: Électronique Article
Langue:Anglais
Vérifier la disponibilité: HBZ Gateway
Journals Online & Print:
En cours de chargement...
Fernleihe:Fernleihe für die Fachinformationsdienste
Publié: Brill [2015]
Dans: Religion & gender
Année: 2015, Volume: 5, Numéro: 1, Pages: 52-70
Sujets / Chaînes de mots-clés standardisés:B Radha / Krischna / Индия (мотив) (Nord) / Картина / Представление / Интерпретация
RelBib Classification:AG Vie religieuse
BK Hindouisme
KBM Asie
NBC Dieu
TJ Époque moderne
Sujets non-standardisés:B iconotext
B Indian miniature painting
B Icon
B Visuality
B Radha
B Normativity
Accès en ligne: Accès probablement gratuit
Volltext (Verlag)
Volltext (doi)
Description
Résumé:This article analyses how Radha was depicted in miniature paintings between the 16th and 19th century in North India. Interrogating the link between text and image, contrasting poetry, style and historical settings with the visual representations of this central figure, the reflections focus on the changing nature of Radha. Through various examples from miniature paintings of different periods and schools, this article analyses the way the rich personality of Radha was transposed into images. In order to stress the changes brought to this female figure, she will be compared to Krishna, the masculine figure who is always at her side. The main goal of the article is to show the normative power of images on the figure of Radha, with normativity being understood as the simplification, iconisation, aestheticisation and stereotypification of a figure with polysemous references.
ISSN:1878-5417
Contient:Enthalten in: Religion & gender
Persistent identifiers:DOI: 10.18352/rg.10083