Representing and Performing Pilgrimage in a Comic Book: On the Camino
Over the last few decades, comic books and graphic novels have become valid literary sources within the humanities and social sciences. This paper addresses a new creative and performative artistic expression of the European pilgrimage route the Camino de Santiago in Spain through examining the auto...
Autres titres: | "Art, Images, Symbols and Pilgrimage" |
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Auteur principal: | |
Type de support: | Électronique Article |
Langue: | Anglais |
Vérifier la disponibilité: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Publié: |
Dublin Institute of Technology
[2020]
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Dans: |
The international journal of religious tourism and pilgrimage
Année: 2020, Volume: 8, Numéro: 5, Pages: 25-42 |
Sujets / Chaînes de mots-clés standardisés: | B
Jason 1965-, On the Camino
/ Chemin de Saint-Jacques
/ Pèlerinage
/ Expérience
|
RelBib Classification: | AD Sociologie des religions AG Vie religieuse CB Spiritualité chrétienne CD Christianisme et culture |
Sujets non-standardisés: | B
Roman graphique
B Camino de Santiago B Pilgrimage B creative narratives |
Accès en ligne: |
Volltext (Verlag) |
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520 | |a Over the last few decades, comic books and graphic novels have become valid literary sources within the humanities and social sciences. This paper addresses a new creative and performative artistic expression of the European pilgrimage route the Camino de Santiago in Spain through examining the autobiographical graphic novel On the Camino, written by the Norwegian cartoonist Jason (2017), which introduces a new way of sharing pilgrimage experiences through combining pictorial and literary devices. Here, the focus is on the dynamic paradigm that arises beyond the ‘fixed sequential images’ in the graphic novel and the role of readers in the spatial meaning-making-process. This creative mode of production regarding pilgrimage along the Camino, suggests that comic books and graphic novels can be a valid source of understanding and portraying pilgrimage experiences. | ||
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