From Moses to DeMille: Adapting the Bible to the Big Screen

The genre of historical and contemporary cinema, which takes as its source of plot and characters the Bible has long enjoyed a welcome from the viewing public (whether in theaters or streaming on the Internet). In both the silent and sound film eras, the “Biblical epic” offered a new channel for the...

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Détails bibliographiques
Auteur principal: Ridinger, Robert (Auteur)
Type de support: Électronique Article
Langue:Anglais
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Publié: Routledge [2020]
Dans: Journal of religious and theological information
Année: 2020, Volume: 19, Numéro: 4, Pages: 129-147
RelBib Classification:CD Christianisme et culture
HA Bible
KAJ Époque contemporaine
KBA Europe de l'Ouest
KBK Europe de l'Est
KBQ Amérique du Nord
ZG Sociologie des médias; médias numériques; Sciences de l'information et de la communication
Sujets non-standardisés:B Cinematography
B Film studies
B Popular Culture
B Silent films
B Biblical films
Accès en ligne: Volltext (Resolving-System)
Description
Résumé:The genre of historical and contemporary cinema, which takes as its source of plot and characters the Bible has long enjoyed a welcome from the viewing public (whether in theaters or streaming on the Internet). In both the silent and sound film eras, the “Biblical epic” offered a new channel for the communication of religious values and familiar scriptural tales to mass audiences. As research subjects they have been (and continue to be) explored by fields as diverse as film history, musicology, and traditional Biblical studies. This article reviews both the major Biblical films produced in both Europe and the United States during the twentieth and twenty-first centuries and the research and reference works written about them.
ISSN:1528-6924
Contient:Enthalten in: Journal of religious and theological information
Persistent identifiers:DOI: 10.1080/10477845.2020.1818954