Theodramatic Themes and Showtime in Nassim Soleimanpour’s White Rabbit Red Rabbit
This essay engages the experimental playwright Nassim Soleimanpour’s White Rabbit Red Rabbit alongside the theological dramatic theory of Hans Urs von Balthasar. Every Soleimanpour play can only happen once. Actors receive the script as they begin the show; any given actor must perform Soleimanpour’...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
MDPI
[2020]
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| In: |
Religions
Year: 2020, Volume: 11, Issue: 10 |
| Further subjects: | B
Balthasar
B Death B Time B Improvisation B theatrical hermeneutics |
| Online Access: |
Presumably Free Access Volltext (Verlag) Volltext (doi) |