Religion and prison art in Ming China (1368-1644): creative environment, creative subjects

Approaching the prison as a creative environment and imprisoned officials as creative subjects in Ming China (1368-1644), Ying Zhang introduces important themes at the intersection of premodern Chinese religion, poetry, and visual and material culture. The Ming is known for its extraordinary cultura...

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Détails bibliographiques
Auteur principal: Zhang, Ying (Auteur)
Type de support: Électronique Livre
Langue:Anglais
Service de livraison Subito: Commander maintenant.
Vérifier la disponibilité: HBZ Gateway
Fernleihe:Fernleihe für die Fachinformationsdienste
Publié: Leiden Boston Brill 2020
Dans:Année: 2020
Collection/Revue:Brill research perspectives
Sujets / Chaînes de mots-clés standardisés:B China / Religion / Art / Prison / Captivité / Histoire 1368-1644
B Créativité
Sujets non-standardisés:B Religion and sociology
B Criminology
Accès en ligne: Table des matières
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Édition parallèle:Non-électronique
Description
Résumé:Approaching the prison as a creative environment and imprisoned officials as creative subjects in Ming China (1368-1644), Ying Zhang introduces important themes at the intersection of premodern Chinese religion, poetry, and visual and material culture. The Ming is known for its extraordinary cultural and economic accomplishments in the increasingly globalized early modern world. For scholars of Chinese religion and art, this era crystallizes the essential and enduring characteristics in these two spheres. Drawing on scholarship on Chinese philosophy, religion, aesthetics, poetry, music, and visual and material culture, Zhang illustrates how the prisoners understood their environment as creative and engaged it creatively. She then offers a literature survey on the characteristics of premodern Chinese religion and art that helps situate the questions of “creative environment” and “creative subject” within multiple fields of scholarship.
ISBN:9004432299
Persistent identifiers:DOI: 10.1163/9789004432291