Religion and prison art in Ming China (1368-1644): creative environment, creative subjects
Approaching the prison as a creative environment and imprisoned officials as creative subjects in Ming China (1368-1644), Ying Zhang introduces important themes at the intersection of premodern Chinese religion, poetry, and visual and material culture. The Ming is known for its extraordinary cultura...
| Main Author: | |
|---|---|
| Format: | Electronic Book |
| Language: | English |
| Subito Delivery Service: | Order now. |
| Check availability: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Leiden Boston
Brill
2020
|
| In: | Year: 2020 |
| Series/Journal: | Brill research perspectives
|
| Standardized Subjects / Keyword chains: | B
China
/ Religion
/ Art
/ Prison
/ Captivity
/ History 1368-1644
B Creativity |
| Further subjects: | B
Religion and sociology
B Criminology |
| Online Access: |
Table of Contents Volltext (DOI) Volltext (lizenzpflichtig) |
| Parallel Edition: | Non-electronic
|
MARC
| LEADER | 00000cam a2200000 4500 | ||
|---|---|---|---|
| 001 | 1733677003 | ||
| 003 | DE-627 | ||
| 005 | 20230427110406.0 | ||
| 007 | cr uuu---uuuuu | ||
| 008 | 200924s2020 ne |||||o 00| ||eng c | ||
| 020 | |a 9789004432291 |9 978-90-04-43229-1 | ||
| 024 | 7 | |a 10.1163/9789004432291 |2 doi | |
| 035 | |a (DE-627)1733677003 | ||
| 035 | |a (DE-599)KXP1733677003 | ||
| 035 | |a (NL-LeKB)9789004432291 | ||
| 035 | |a (EBP)059425180 | ||
| 040 | |a DE-627 |b ger |c DE-627 |e rda | ||
| 041 | |a eng | ||
| 044 | |c XA-NL |c XD-US | ||
| 050 | 0 | |a N7260 | |
| 082 | 0 | |a 709.5 | |
| 084 | |a 0 |2 ssgn | ||
| 084 | |a HRAX |2 bicssc | ||
| 084 | |a REL 033000 |2 bisacsh | ||
| 084 | |a 20.41 |2 bkl | ||
| 084 | |a 20.10 |2 bkl | ||
| 084 | |a 11.05 |2 bkl | ||
| 100 | 1 | |a Zhang, Ying |e VerfasserIn |4 aut | |
| 109 | |a Zhang, Ying |a Zhang Ying |a Ying, Zhang |a Ying Zhang | ||
| 245 | 1 | 0 | |a Religion and prison art in Ming China (1368-1644) |b creative environment, creative subjects |c by Ying Zhang |
| 264 | 1 | |a Leiden |a Boston |b Brill |c 2020 | |
| 300 | |a 1 Online-Ressource (102 Seiten) |b Illustrationen | ||
| 336 | |a Text |b txt |2 rdacontent | ||
| 337 | |a Computermedien |b c |2 rdamedia | ||
| 338 | |a Online-Ressource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Brill research perspectives | |
| 520 | |a Approaching the prison as a creative environment and imprisoned officials as creative subjects in Ming China (1368-1644), Ying Zhang introduces important themes at the intersection of premodern Chinese religion, poetry, and visual and material culture. The Ming is known for its extraordinary cultural and economic accomplishments in the increasingly globalized early modern world. For scholars of Chinese religion and art, this era crystallizes the essential and enduring characteristics in these two spheres. Drawing on scholarship on Chinese philosophy, religion, aesthetics, poetry, music, and visual and material culture, Zhang illustrates how the prisoners understood their environment as creative and engaged it creatively. She then offers a literature survey on the characteristics of premodern Chinese religion and art that helps situate the questions of “creative environment” and “creative subject” within multiple fields of scholarship. | ||
| 601 | |a Environment | ||
| 650 | 0 | |a Religion and sociology | |
| 650 | 0 | |a Criminology | |
| 689 | 0 | 0 | |d g |0 (DE-588)4009937-4 |0 (DE-627)104289031 |0 (DE-576)208885382 |2 gnd |a China |
| 689 | 0 | 1 | |d s |0 (DE-588)4049396-9 |0 (DE-627)106187155 |0 (DE-576)209081880 |2 gnd |a Religion |
| 689 | 0 | 2 | |d s |0 (DE-588)4114333-4 |0 (DE-627)105822957 |0 (DE-576)209483733 |2 gnd |a Kunst |
| 689 | 0 | 3 | |d s |0 (DE-588)4071628-4 |0 (DE-627)106097237 |0 (DE-576)209184523 |2 gnd |a Gefängnis |
| 689 | 0 | 4 | |d s |0 (DE-588)4274032-0 |0 (DE-627)104228482 |0 (DE-576)210703458 |2 gnd |a Gefangenschaft |
| 689 | 0 | 5 | |q z |2 gnd |a Geschichte 1368-1644 |
| 689 | 0 | |5 (DE-627) | |
| 689 | 1 | 0 | |d s |0 (DE-588)4032903-3 |0 (DE-627)106259733 |0 (DE-576)208999248 |2 gnd |a Kreativität |
| 689 | 1 | |5 (DE-627) | |
| 776 | 1 | |z 9789004432604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |a Zhang, Ying |t Religion and prison art in Ming China (1368-1644) |d Leiden : Brill, 2020 |h 102 Seiten |w (DE-627)1699761760 |k Non-Electronic |
| 856 | 4 | 0 | |u https://brill.com/abstract/title/57611 |x Verlag |z lizenzpflichtig |
| 856 | 4 | 0 | |u http://dx.doi.org/10.1163/9789004432291 |m X:BRILL |x Resolving-System |z DOI |z lizenzpflichtig |
| 856 | 4 | 2 | |u https://swbplus.bsz-bw.de/bsz1699761760inh.htm |m V:DE-576;B:DE-16 |q application/pdf |v 20200710154039 |3 Inhaltsverzeichnis |
| 912 | |a ZDB-95-BOC | ||
| 936 | b | k | |a 20.41 |j Asiatische Kunst |0 (DE-627)106406736 |
| 936 | b | k | |a 20.10 |j Kunst und Gesellschaft |0 (DE-627)106406256 |
| 936 | b | k | |a 11.05 |j Religionssoziologie |0 (DE-627)106404202 |
| 951 | |a BO | ||
| ELC | |a 1 | ||
| ORI | |a SA-MARC-ixtheo_oa001.raw | ||
| REF | |a Kunstgeschichte,Religionsgeschichte | ||
| REL | |a 1 | ||
| STA | 0 | 0 | |a Art,Art,Visual art,Captivity,Imprisonment,China,China,China,China,Southwestern China,Southeastern China,Southern China,Western China,Creativity,Creative ability,Prison,Prison,Jail,Gaol,Religion,Religions,Religion,Religion in literature |
| STB | 0 | 0 | |a Art,Art,Captivité,Créativité,Créativité,Prison,Prison,Religion,Religions,Religion |
| STC | 0 | 0 | |a Arte,Arte,Cautiverio,Creatividad,Creatividad,Prisión,Prisión,Religión,Religión,Religión |
| STD | 0 | 0 | |a Arte,Arte,Carcere <motivo>,Carcere,Prigione,Prigione,Prigione (motivo),Prigione,Creatività,Creatività,Prigionia,Religione,Religione,Religione |
| STE | 0 | 0 | |a 创造力,创意,创造性,囚禁,拘禁,监禁,宗教,宗教,监狱,监牢,因牢,艺术 |
| STF | 0 | 0 | |a 創造力,創意,創造性,囚禁,拘禁,監禁,宗教,宗教,監獄,監牢,因牢,藝術 |
| STG | 0 | 0 | |a Arte,Arte,Cativeiro,Criatividade,Criatividade,Prisão,Prisão,Religião,Religião |
| STH | 0 | 0 | |a Искусство (мотив),Искусство,Креативность (мотив),Креативность,Плен,Религия (мотив),Религия,Тюрьма (мотив),Тюрьма |
| STI | 0 | 0 | |a Δημιουργικότητα (μοτίβο),Δημιουργικότητα,Θρησκεία (μοτίβο),Θρησκεία,Τέχνη (μοτίβο),Τέχνη,Φυλάκιση,Κράτηση,Αιχμαλωσία,Φυλακή (μοτίβο),Φυλακή |
| SUB | |a REL | ||
| SYG | 0 | 0 | |a China,Festlandchina,Greater China,Mainland China,Volksrepublik China , Rotchina,Zhongguo,Zhongguo-Diguo,Kaiserreich Zhongguo,Zhongguo,Chung-kuo,Zhonghua-minguo,Chung-hua-min-kuo,China,Zhonghua-Renmin-Gongheguo,Kaiserreich China,China,PRC,Zhongguo,Shinkoku,Chung-hua-jen-min-kung-ho-kuo,Zhonghua,China,Volksrepublik China,Zhongguo,VR China,China,People's Republic of China,Zhong guo,PRC,Zhonghua renmin gongheguo,République populaire de Chine,Chung-kuo kuo min cheng fu,China,Chine,KNR,Zhongguo,Chinese People's Republic,Kytajsʹkaja Narodnaja Respublika,Chinese People’s Republic,Republic of China,Chung-hua min kuo,Chung-kuo , Religion,Mystik,Mythologie , Bildende Kunst,Kunstdenkmal , Gefängnisse,Kerker,Verlies,Gefangenenhaus,Kotter , Schöpferische Begabung,Schöpferische Leistung,Creativity |
| TIM | |a 100013680101_100016441231 |b Geschichte 1368-1644 | ||