Relocating the Spanish Renaissance: Charles V, the Torre de la Estufa in the Alhambra, and the Islamic Past

This article reexamines the function, decoration, and political and artistic significance of the Torre de la Estufa of Charles V in the Alhambra, a steam room decorated between 1528 and 1539 with topographic landscapes of the conquest of Tunis and paintings of grotesques. Challenging the traditional...

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1. VerfasserIn: Ripollés, Carmen (VerfasserIn)
Medienart: Elektronisch Aufsatz
Sprache:Englisch
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Veröffentlicht: Sixteenth Century Journal Publishers, Inc. [2019]
In: The sixteenth century journal
Jahr: 2019, Band: 50, Heft: 4, Seiten: 1063-1099
RelBib Classification:BJ Islam
CD Christentum und Kultur
KAG Kirchengeschichte 1500-1648; Reformation; Humanismus; Renaissance
KBH Iberische Halbinsel
weitere Schlagwörter:B ARCHITECTURAL decoration & ornament
B SPANISH mural painting & decoration
B Grotesque
B Renaissance Art
B 16TH century mural painting & decoration
B HISTORY of art & politics
B TUNIS (Tunisia); Pictorial works
B Charles V, Holy Roman Emperor, 1500-1558
B ALHAMBRA (Granada, Spain)
B Spain
Beschreibung
Zusammenfassung:This article reexamines the function, decoration, and political and artistic significance of the Torre de la Estufa of Charles V in the Alhambra, a steam room decorated between 1528 and 1539 with topographic landscapes of the conquest of Tunis and paintings of grotesques. Challenging the traditional focus on the tower’s debt to the Italian Renaissance, this essay brings attention to its pre-existing Islamic framework, arguing that its overall architectural language, specific decorative elements, and intended function reveal Charles V’s will to engage formally and conceptually with the preexisting palace as a means of advancing imperial ideology.
ISSN:2326-0726
Enthält:Enthalten in: The sixteenth century journal