Between Idealization of a Martyr and Critic of a Society: Analysis of Axel Corti’s "Der Fall Jägerstätter"
The new film approach to the figure of Franz Jägerstätter by Terrence Mallick in 2019 is an occasion to take a critical look at the first movie about the Catholic martyr that was made by the Austrian director Axel Corti in 1971. Although the movie turned out be to a huge success and until now is vie...
Auteur principal: | |
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Type de support: | Électronique Article |
Langue: | Anglais |
Vérifier la disponibilité: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Publié: |
2019
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Dans: |
The journal of religion and film
Année: 2019, Volume: 23, Numéro: 2, Pages: 1-43 |
Sujets / Chaînes de mots-clés standardisés: | B
Der Fall Jägerstätter (Film)
/ Jägerstätter, Franz 1907-1943
/ Critique sociale
/ Österreich
/ National-socialisme
/ Fait d’assumer son passé
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RelBib Classification: | AD Sociologie des religions AG Vie religieuse KBB Espace germanophone ZC Politique en général |
Sujets non-standardisés: | B
Franz Jägerstätter
B National Socialism B Radegund B Axel Corti B Austrian film |
Accès en ligne: |
Volltext (kostenfrei) |
Résumé: | The new film approach to the figure of Franz Jägerstätter by Terrence Mallick in 2019 is an occasion to take a critical look at the first movie about the Catholic martyr that was made by the Austrian director Axel Corti in 1971. Although the movie turned out be to a huge success and until now is viewed as one of the turning points in coming to terms with the Nazi past in the Austrian film history, it idealizes, against the director’s intentions, the protagonist and preserves some of the characteristic elements of the history discourse of the times it was made. |
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ISSN: | 1092-1311 |
Contient: | Enthalten in: The journal of religion and film
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