Touched by Grace?: A Look at Grace in Bergman's Winter Light and Martin Luther's Writings
Ingmar Bergman holds a prominent place in the lineup of directors who have used cinema to investigate the meaning of life in a godless world. The so-called "Trilogy of God’s Silence" is often identified as the place where Bergman struggled most profoundly with core themes from the Christia...
| Auteur principal: | |
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| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
2019
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| Dans: |
The journal of religion and film
Année: 2019, Volume: 23, Numéro: 1, Pages: 1-23 |
| Sujets / Chaînes de mots-clés standardisés: | B
Nattvardsgästerna
/ Dieu
/ Silence
/ Doute religieux (motif)
/ Grâce
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| RelBib Classification: | AB Philosophie de la religion AG Vie religieuse CB Spiritualité chrétienne CE Art chrétien |
| Sujets non-standardisés: | B
Grace
B Bergman B God's masks B Luther B Winter Light |
| Accès en ligne: |
Volltext (kostenfrei) |
| Résumé: | Ingmar Bergman holds a prominent place in the lineup of directors who have used cinema to investigate the meaning of life in a godless world. The so-called "Trilogy of God’s Silence" is often identified as the place where Bergman struggled most profoundly with core themes from the Christian faith. In Winter Light, he explores the topic of doubt, devastatingly, through a minister’s religious and existential crisis. This article, however, proposes that Martin Luther’s theology may provide resources for reappraising Bergman’s canonical film. |
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| ISSN: | 1092-1311 |
| Contient: | Enthalten in: The journal of religion and film
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