Aesthetics of Muslim-ness: Art and the Formation of Muslim Identity Politics
The paper explores two opposing yet simultaneous forces of aesthetics as transformative and constitutive force of Muslim identity politics, religiosity and cultural style in Cape Town The ethnography focuses on Muslim artists in Cape Town, namely Thania Petersen and twin brothers Hasan and Husain Es...
| 1. VerfasserIn: | |
|---|---|
| Medienart: | Elektronisch Aufsatz |
| Sprache: | Englisch |
| Verfügbarkeit prüfen: | HBZ Gateway |
| Journals Online & Print: | Lade...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Veröffentlicht: |
Brill
[2018]
|
| In: |
Journal of religion in Africa
Jahr: 2018, Band: 48, Heft: 3, Seiten: 185-203 |
| normierte Schlagwort(-folgen): | B
Kapstadt
/ Muslim
/ Religiöse Identität
/ Religiöse Kunst
/ Religionsästhetik
|
| RelBib Classification: | AD Religionssoziologie; Religionspolitik BJ Islam KBN Subsahara-Afrika |
| weitere Schlagwörter: | B
Authenticity
B Aesthetic B Art B Transformation B Islam B discursive tradition B Identity Politics B Performance B Muslim |
| Online Zugang: |
Volltext (Verlag) Volltext (doi) |
MARC
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| 520 | |a The paper explores two opposing yet simultaneous forces of aesthetics as transformative and constitutive force of Muslim identity politics, religiosity and cultural style in Cape Town The ethnography focuses on Muslim artists in Cape Town, namely Thania Petersen and twin brothers Hasan and Husain Essop, whose artworks embody a ‘social drama’ of a lived experience of Muslims’ ongoing individual and collective active engagement with and appropriation of the plurality of competing discourses that are religious and secular, local and global. The discussion unpacks the ways in which the artworks of Petersen and the Essop brothers serve as a transformative force and as a politic of authenticity to Muslim identity, religiosity, and cultural style. The paper offers an appreciative but critical reading of Talal Asad’s idea of an anthropology of Islam. Taking into consideration the incommensurable diversity and internal contradiction that could be conceived as Islamic discursive traditions, this paper argues that the aesthetics of Muslimness is what inspires coherence within and across diverse, contradictory Islamic traditions. | ||
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| STB | 0 | 0 | |a Art religieux,Art sacré,Art sacré,Arts et religion,Espèce,Esthétique de la religion,Identité religieuse,Identité religieuse,Islam,Islam,Musulman,Musulman,Performance,Transformation (motif),Transformation |
| STC | 0 | 0 | |a Arte religiosa,Especie,Estética de la religión,Identidad religiosa,Identidad religiosa,Islam,Islam,Musulmán,Musulmán,Performance,Transformación |
| STD | 0 | 0 | |a Arte religiosa,Estetica della religione,Identità religiosa,Identità religiosa,Islam,Islam,Musulmano,Musulmano,Performance,Specie,Trasformazione,Realizzazione,Realizzazione |
| STE | 0 | 0 | |a 伊斯兰教,伊斯兰教,回教,回教,宗教艺术,宗教身份,宗教认同,种,物种,穆斯林,穆斯林,行为艺术,转化,转换 |
| STF | 0 | 0 | |a 伊斯蘭教,伊斯蘭教,回教,回教,宗教藝術,宗教身份,宗教認同,種,物種,穆斯林,穆斯林,行為藝術,轉化,轉換 |
| STG | 0 | 0 | |a Arte religiosa,Espécie,Estética da religião,Identidade religiosa,Identidade religiosa,Islã,Islã,Muçulmano,Muçulmano,Performance,Transformação |
| STH | 0 | 0 | |a Вид,Ислам (мотив),Ислам,Мусульманин (мотив),Мусульманин,Перформанс (искусство),Религиозная личность (мотив),Религиозное сознание,Религиозное искусство,Трансформация,Этика религии |
| STI | 0 | 0 | |a Αισθητική της θρησκείας,Είδος,Θρησκευτική τέχνη,Θρησκευτική ταυτότητα (μοτίβο),Θρησκευτική ταυτότητα,Ισλάμ (μοτίβο),Ισλάμ,Μετατροπή,Υλοποίηση,Εφαρμογή,Μεταμόρφωση,Μετασχηματισμός,Μουσουλμάνος (μοτίβο),Μουσουλμάνος,Παράσταση (τέχνες) |
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| SYG | 0 | 0 | |a Cape Town,Capetown,Kaapstad,Le Cap , Muslimin,Muslime,Mohammedaner,Mohammedanerin,Moslem,Muselman,Muselmann,Moslemische Frau,Muslimische Frau,Muslima,Moslemin,Mosliminnen,Moslem,Mohammedaner,Muselman,Muselmann,Muslime , Religiöses Bewusstsein , Sakralkunst,Sakrale Kunst |
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