Musical Toys Offered to Gods at Miho Shrine: Instruments for Renewing Ritual Communication
This article investigates the socioreligious roles that musical toys and miniatures have performed in the modern development of the Miho cult. Miho Shrine in Shimane Prefecture developed a distinctive practice of accepting donations of musical instruments to the deities enshrined there, which was su...
| Auteur principal: | |
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| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
Nanzan Institute
2018
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| Dans: |
Japanese journal of religious studies
Année: 2018, Volume: 45, Numéro: 2, Pages: 391-422 |
| Sujets / Chaînes de mots-clés standardisés: | B
Miho Jinja
/ Instrument de musique
/ Modèles réduits
/ Sacrifice (Religion)
/ Commercialisation
/ Histoire 1645-2020
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| RelBib Classification: | AD Sociologie des religions AG Vie religieuse BN Shintoïsme KBM Asie TJ Époque moderne TK Époque contemporaine |
| Sujets non-standardisés: | B
Musical instruments
B Kagura B Toys B Geishas B Deities B Religious Studies B Priests B Purification rituals B Ritual music |
| Accès en ligne: |
Volltext (kostenfrei) Volltext (kostenfrei) |
| Résumé: | This article investigates the socioreligious roles that musical toys and miniatures have performed in the modern development of the Miho cult. Miho Shrine in Shimane Prefecture developed a distinctive practice of accepting donations of musical instruments to the deities enshrined there, which was supported by a local tradition that the deities are extremely fond of music. Along with sophisticated instruments, miniatures and simple musical toys also began to be brought into the shrine from the Meiji period onward. This article takes a comprehensive look at sociohistorical, ethnographical, sound-cultural, and other aspects to identify new networks formed through the toys' circulation. These networks helped to create modern conceptions of the ritual power imparted to small musical objects, giving new explanations to secular music, new ritual roles to miniature and toy musical instruments, and even new features to the Miho deities. In particular, the essential features of the toys—small musical objects that are physically manipulated—were a basis for the modern evolution of the cult. |
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| Contient: | Enthalten in: Japanese journal of religious studies
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| Persistent identifiers: | DOI: 10.18874/jjrs.45.2.2018.391-422 |