Let this Hell be Our Heaven: Richard Matheson's Spirituality and Its Hollywood Distortions
Richard Matheson's 1954 novel, I Am Legend, has inspired three official, and other unofficial, film adaptations. Hollywood has, however, consistently altered key elements, severely distorting the novel's themes. Where I Am Legend is predictive of the anti-authoritarianism of the countercul...
| Auteur principal: | |
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| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
University of Saskatchewan
[2012]
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| Dans: |
Journal of religion and popular culture
Année: 2012, Volume: 24, Numéro: 1, Pages: 130-147 |
| Sujets non-standardisés: | B
Richard Matheson
B Sacred Canopy B Night of the Living Dead B Theosophy B Literature B New Age B I Am Legend B Omega Man B Vampires B Religion B Horreur B Occult |
| Accès en ligne: |
Volltext (Resolving-System) Volltext (doi) |
| Résumé: | Richard Matheson's 1954 novel, I Am Legend, has inspired three official, and other unofficial, film adaptations. Hollywood has, however, consistently altered key elements, severely distorting the novel's themes. Where I Am Legend is predictive of the anti-authoritarianism of the counterculture, Matheson's later work aligns closely with spiritual elements of the so-called New Age. This article will show how Hollywood adaptations increasingly promote distinctly Christian symbolism in opposition to Matheson's own spirituality, nascent in I Am Legend. |
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| ISSN: | 1703-289X |
| Contient: | Enthalten in: Journal of religion and popular culture
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| Persistent identifiers: | DOI: 10.3138/jrpc.24.1.130 |