Hip Hop and Religion: Gangsta Rap's Christian Rhetoric
This article analyzes gangsta rap discourse through the lens of rhetorical studies to reveal central features of its Christian religious ethos. The religious rhetorical output of many gangsta rappers, both textual and visual, reveals a religious ethos containing a form of religious phronesis (practi...
| Auteur principal: | |
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| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
University of Saskatchewan
[2013]
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| Dans: |
Journal of religion and popular culture
Année: 2013, Volume: 25, Numéro: 3, Pages: 315-332 |
| Sujets non-standardisés: | B
Rap
B Struggle B Religion B Christianity B gangsta B Black B African America B Music B Rhetoric B Suffering B Phronesis B Inner city B Hip Hop |
| Accès en ligne: |
Volltext (Resolving-System) Volltext (doi) |
| Résumé: | This article analyzes gangsta rap discourse through the lens of rhetorical studies to reveal central features of its Christian religious ethos. The religious rhetorical output of many gangsta rappers, both textual and visual, reveals a religious ethos containing a form of religious phronesis (practical wisdom). This ethos has three central telling characteristics: solidarity with Jesus formed through the common theme of suffering; a mistrust of organized religion; and the presence of a psycho-social battle between good and evil, analyzed here through the examples of DMX and Mase. |
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| ISSN: | 1703-289X |
| Contient: | Enthalten in: Journal of religion and popular culture
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| Persistent identifiers: | DOI: 10.3138/jrpc.25.3.315 |