The photograph as archive: Crafting contemporary Koorie culture
In 2008, an Aboriginal Australian artist based in Melbourne, Australia, created a kangaroo-teeth necklace, revivifying an art/cultural practice for the first time in over a century. She was inspired to do so after viewing an 1880 photograph of an ancestor wearing such adornment. In this article, I b...
Main Author: | |
---|---|
Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
Sage Publ.
[2019]
|
In: |
Journal of material culture
Year: 2019, Volume: 24, Issue: 1, Pages: 22-47 |
RelBib Classification: | BB Indigenous religions KBS Australia; Oceania ZB Sociology |
Further subjects: | B
Photography
B Archive B culture-making B Australia B artworlds B urban Indigenous |
Online Access: |
Volltext (Resolving-System) |
MARC
LEADER | 00000caa a22000002 4500 | ||
---|---|---|---|
001 | 1690931817 | ||
003 | DE-627 | ||
005 | 20200902175022.0 | ||
007 | cr uuu---uuuuu | ||
008 | 200225s2019 xx |||||o 00| ||eng c | ||
024 | 7 | |a 10.1177/1359183518782716 |2 doi | |
035 | |a (DE-627)1690931817 | ||
035 | |a (DE-599)KXP1690931817 | ||
040 | |a DE-627 |b ger |c DE-627 |e rda | ||
041 | |a eng | ||
084 | |a 0 |2 ssgn | ||
100 | 1 | |a Thorner, Sabra G |e VerfasserIn |4 aut | |
245 | 1 | 4 | |a The photograph as archive |b Crafting contemporary Koorie culture |
264 | 1 | |c [2019] | |
336 | |a Text |b txt |2 rdacontent | ||
337 | |a Computermedien |b c |2 rdamedia | ||
338 | |a Online-Ressource |b cr |2 rdacarrier | ||
520 | |a In 2008, an Aboriginal Australian artist based in Melbourne, Australia, created a kangaroo-teeth necklace, revivifying an art/cultural practice for the first time in over a century. She was inspired to do so after viewing an 1880 photograph of an ancestor wearing such adornment. In this article, I bring the necklace and the photograph into the same analytical frame, arguing for the photograph as an archive itself. I consider the trajectories through which the 19th-century image has been replicated and circulated in various productions of knowledge about Aboriginal people, and how a 21st-century artist is mobilizing it not just as a repository of visual information, but also as an impetus to creative production. She produces objects of value and is making culture anew, in a context in which Aboriginality has long/often been presumed absent, extinct or elsewhere. | ||
650 | 4 | |a Australia | |
650 | 4 | |a Archive | |
650 | 4 | |a artworlds | |
650 | 4 | |a culture-making | |
650 | 4 | |a Photography | |
650 | 4 | |a urban Indigenous | |
652 | |a BB:KBS:ZB | ||
773 | 0 | 8 | |i Enthalten in |t Journal of material culture |d London [u.a.] : Sage Publ., 1996 |g 24(2019), 1, Seite 22-47 |h Online-Ressource |w (DE-627)302722033 |w (DE-600)1492241-1 |w (DE-576)079877222 |x 1460-3586 |7 nnns |
773 | 1 | 8 | |g volume:24 |g year:2019 |g number:1 |g pages:22-47 |
856 | 4 | 0 | |u https://doi.org/10.1177/1359183518782716 |x Resolving-System |
936 | u | w | |d 24 |j 2019 |e 1 |h 22-47 |
951 | |a AR | ||
ELC | |a 1 | ||
ITA | |a 1 |t 1 | ||
LOK | |0 000 xxxxxcx a22 zn 4500 | ||
LOK | |0 001 3598194315 | ||
LOK | |0 003 DE-627 | ||
LOK | |0 004 1690931817 | ||
LOK | |0 005 20200902175022 | ||
LOK | |0 008 200225||||||||||||||||ger||||||| | ||
LOK | |0 040 |a DE-Tue135 |c DE-627 |d DE-Tue135 | ||
LOK | |0 092 |o n | ||
LOK | |0 852 |a DE-Tue135 | ||
LOK | |0 852 1 |9 00 | ||
LOK | |0 935 |a ixzs |a ixzo | ||
LOK | |0 936ln |0 1442049359 |a KBS | ||
LOK | |0 936ln |0 1442043342 |a BB | ||
LOK | |0 936ln |0 1442053755 |a ZB | ||
ORI | |a SA-MARC-ixtheoa001.raw | ||
REL | |a 1 | ||
SUB | |a REL |