Against the Quieted Violence of Sixteenth-Century Art
The author discusses the role of violence in 16th century art. She mentions the depiction of violence in art as an allegory for the end of classical and medieval art, presents works by Christoph Jamnitzer, Albrecht Dürer, and Hans von Aachen that incorporate this, and the depiction of the face as a...
Auteur principal: | |
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Type de support: | Électronique Article |
Langue: | Anglais |
Vérifier la disponibilité: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Publié: |
Sixteenth Century Journal Publishers, Inc.
[2019]
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Dans: |
The sixteenth century journal
Année: 2019, Volume: 50, Numéro: 1, Pages: 118-127 |
RelBib Classification: | TJ Époque moderne |
Sujets non-standardisés: | B
DURER, Albrecht, 1471-1528
B AACHEN, Hans von, 1552-1615 B Violence in art B Face in art B JAMNITZER, Christoph, 1563-1618 B ALLEGORY (Art) B 16TH century art |
Résumé: | The author discusses the role of violence in 16th century art. She mentions the depiction of violence in art as an allegory for the end of classical and medieval art, presents works by Christoph Jamnitzer, Albrecht Dürer, and Hans von Aachen that incorporate this, and the depiction of the face as a form of expression. |
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ISSN: | 2326-0726 |
Contient: | Enthalten in: The sixteenth century journal
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