The Rise and Fall of the Religious Left: Politics, Television, and Popular Culture in the 1970s and Beyond

For decades now, Americans have believed that their country is deeply divided by “culture wars” waged between religious conservatives and secular liberals. In most instances, Protestant conservatives have been cast as the instigators of such warfare, while religious liberals have been largely ignore...

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Détails bibliographiques
Auteur principal: Rolsky, L. Benjamin (Auteur)
Type de support: Électronique Livre
Langue:Anglais
Service de livraison Subito: Commander maintenant.
Vérifier la disponibilité: HBZ Gateway
Fernleihe:Fernleihe für die Fachinformationsdienste
Publié: New York, NY Columbia University Press [2019]
Dans:Année: 2019
Collection/Revue:Columbia Series on Religion and Politics
Sujets / Chaînes de mots-clés standardisés:B USA / Droite catholique / Influence / Théologie libérale / Culture populaire / Histoire 1900-1999
Sujets non-standardisés:B Liberalism (Religion) (United States)
B Social History / HISTORY
B Liberalism Religious aspects Christianity
B Religious Right
B Popular Culture (United States) History 20th century
B RELIGION / Religion, Politics & State
B Popular Culture Religious aspects Christianity
Accès en ligne: Contenu
Cover (Verlag)
Cover (Verlag)
Volltext (lizenzpflichtig)
Volltext (lizenzpflichtig)
Édition parallèle:Non-électronique

MARC

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520 |a For decades now, Americans have believed that their country is deeply divided by “culture wars” waged between religious conservatives and secular liberals. In most instances, Protestant conservatives have been cast as the instigators of such warfare, while religious liberals have been largely ignored. In this book, L. Benjamin Rolsky examines the ways in which American liberalism has helped shape cultural conflict since the 1970s through the story of how television writer and producer Norman Lear galvanized the religious left into action.The creator of comedies such as All in the Family and Maude, Lear was spurred to found the liberal advocacy group People for the American Way in response to the rise of the religious right. Rolsky offers engaged readings of Lear’s iconic sitcoms and published writings, considering them as an expression of what he calls the spiritual politics of the religious left. He shows how prime-time television became a focus of political dispute and demonstrates how Lear’s emergence as an interfaith activist catalyzed ecumenical Protestants, Catholics, and Jews who were determined to push back against conservatism’s ascent. Rolsky concludes that Lear’s political involvement exemplified religious liberals’ commitment to engaging politics on explicitly moral grounds in defense of what they saw as the public interest. An interdisciplinary analysis of the definitive cultural clashes of our fractious times, The Rise and Fall of the Religious Left foregrounds the foundational roles played by popular culture, television, and media in America’s religious history 
520 |a Frontmatter -- Contents -- Acknowledgments -- Introduction: Religious Liberalism, American Politics, and Public Life -- 1. Norman Lear, the Christian Right, and the Spiritual Politics of the Religious Left -- 2. All in the Family and the Spiritual Politicization of the American Sitcom -- 3. Norman Lear, the FCC, and the Holy War Over American Television -- 4. People for the American Way and Spiritual Politics in Late Twentieth- Century America -- 5. Liberalism as Variety Show: I Love Liberty and the Decline of the Religious Left -- Conclusion: Religion, Politics, and the Public Square-2019 -- Notes -- Bibliography -- Index 
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