Immanent frames: postsecular cinema between Malick and von Trier
9 The Immortal Thighs of Ines Orsini: The Transcendence of Grace in Denys Arcand's The Barbarian InvasionsIntroduction; The Profanation of the Sacred; Cielo sulla palude: The "Accursed Film"; The Invasion of the Barbarians; The Transcendence of Grace; "The Girl Who Said No";...
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| Format: | Electronic Book |
| Language: | English |
| Subito Delivery Service: | Order now. |
| Check availability: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Albany
State University of New York Press
[2018]
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| In: | Year: 2018 |
| Series/Journal: | The SUNY series, horizons of cinema
|
| Further subjects: | B
Religion in motion pictures
B Motion Pictures Religious aspects B Motion pictures ; Religious aspects B PERFORMING ARTS ; Reference B Electronic books |
| Online Access: |
Volltext (lizenzpflichtig) |
MARC
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| 245 | 1 | 0 | |a Immanent frames |b postsecular cinema between Malick and von Trier |c edited by John Caruana and Mark Cauchi |
| 264 | 1 | |a Albany |b State University of New York Press |c [2018] | |
| 300 | |a 1 Online-Ressource (xii, 293 pages) | ||
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| 490 | 0 | |a The SUNY series, horizons of cinema | |
| 500 | |a Includes bibliographical references and index | ||
| 520 | |a 9 The Immortal Thighs of Ines Orsini: The Transcendence of Grace in Denys Arcand's The Barbarian InvasionsIntroduction; The Profanation of the Sacred; Cielo sulla palude: The "Accursed Film"; The Invasion of the Barbarians; The Transcendence of Grace; "The Girl Who Said No"; The Sacralization of the Profane; Coda; Notes; Bibliography; 10 Three Immersions: Mouchette, Vagabond, Rosetta; Notes; 11 "Put Yourself in My Place": Two Days, One Night and the Journey Back to Life; "Love Thy Neighbor"; "Put Yourself in My Place"; Solidarity, Religiere; Notes | ||
| 520 | |a Art, Religion, and PhilosophyContemporary Art of the Sublime; The Tree of Life; Fragmented Narrative; Hermeneutic Sublimation; The Postsecular Sublime; Notes; 3 Repetition and Belief: A Kierkegaardian Reading of Malick's The Tree of Life; Kierkegaard: The Missing Third in Malick's Philosophical Triad; Repetition and Belief in Malick's The Tree of Life; Notes; 4 Toward and Away from the World: Subjectivity After Loss in The Tree of Life; Notes; 5 The Death of God and the Genesis of Worldhood in von Trier's Melancholia; The End of the Secularist World; Resurrecting the Death of God | ||
| 520 | |a Creation ex nihiloNotes; 6 Notes on Divine Homelessness: A Reading of Lars von Trier's Dogville; Theologia ludens; A (Trick-)Playing God; A Homeless God; The Politics of Despair; Notes; Bibliography; Part II: The Spectrum of Postsecular Cinema: Beyond Malick and von Trier; 7 Face to Face with Chantal Akerman; Notes; 8 "There's No Point in Killing a Bad Priest": John Michael McDonagh's Calvary and the Broken Middle; Introduction; Film and Religion between Immanence and Transcendence; The Broken Middle; Christianity, Mythology, and the Cosmological; Calvary: A Film Maudit?; Notes | ||
| 520 | |a Intro; Contents; Illustrations; Acknowledgments; What Is Postsecular Cinema? An Introduction; Notes; Part I: The Poles of Postsecular Cinema: Malick and von Trier; 1 Two Ways through Life: Postsecular Visions in Melancholia and The Tree of Life; Transcendence and Immanence: The Tree of Life and Melancholia; The Way of Transcendence: The Tree of Life; The Way of Immanence: Melancholia; The "Affective Sublime"; Notes; Bibliography; 2 Hegel, Malick, and the Postsecular Sublime; The Hegelian Sublime; Symbolic Art-Form; Symbolism of the Sublime; Art of the Sublime; Truth and the Sublime | ||
| 520 | |a Part III: Conversations on Postsecular Cinema: Luc Dardenne and Jean-Luc Nancy12 Can We Think the Inconsolable without Consolation? An Interview with Luc Dardenne; Notes; 13 Could It Be that Cinema Itself Is Contemporaneity? A Conversation with Jean-Luc Nancy; Note; Contributors; Index | ||
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