Narrative and Experiment, Religion and Politics in Terrence Malick's The Tree of Life

While most interpretations of Terrence Malick's 2011 The Tree of Life concentrate on the film's theological resonances, I focus here on The Tree of Life's political vision. I locate this vision in the fraught relationship between two influential strands of American religio-political t...

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Détails bibliographiques
Auteur principal: Powell, Russell C. (Auteur)
Type de support: Électronique Article
Langue:Anglais
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Publié: Institut f. Fundamentaltheologie [2019]
Dans: Journal for religion, film and media
Année: 2019, Volume: 5, Numéro: 2, Pages: 167-185
Sujets / Chaînes de mots-clés standardisés:B The tree of life (Film) / Esthétique politique / Théologie
RelBib Classification:AD Sociologie des religions
CD Christianisme et culture
KBQ Amérique du Nord
Sujets non-standardisés:B Augustinian Theology
B Ralph Waldo Emerson
B Religion
B Politics
B THE TREE OF LIFE
B Terrence Malick
Accès en ligne: Volltext (doi)
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Description
Résumé:While most interpretations of Terrence Malick's 2011 The Tree of Life concentrate on the film's theological resonances, I focus here on The Tree of Life's political vision. I locate this vision in the fraught relationship between two influential strands of American religio-political thought, Augustinianism and Emersonianism. The Tree of Life's theological concerns are undoubtedly Augustinian, yet it takes up a similar radical politics as what Emerson did in his best-known essays. The result, I argue, is a cinema of religio-political possibility with important implications for a potential rapproachment between religionists (namely evangelical Christians) and secularists, particularly on the topic of environmental conservation and sustainability.
ISSN:2617-3697
Contient:Enthalten in: Journal for religion, film and media
Persistent identifiers:DOI: 10.25364/05.05:2019.2.9