Narrative and Experiment, Religion and Politics in Terrence Malick's The Tree of Life
While most interpretations of Terrence Malick's 2011 The Tree of Life concentrate on the film's theological resonances, I focus here on The Tree of Life's political vision. I locate this vision in the fraught relationship between two influential strands of American religio-political t...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Institut f. Fundamentaltheologie
[2019]
|
| In: |
Journal for religion, film and media
Year: 2019, Volume: 5, Issue: 2, Pages: 167-185 |
| Standardized Subjects / Keyword chains: | B
The tree of life (Film)
/ Political esthetics
/ Theology
|
| RelBib Classification: | AD Sociology of religion; religious policy CD Christianity and Culture KBQ North America |
| Further subjects: | B
Augustinian Theology
B Ralph Waldo Emerson B Religion B Politics B THE TREE OF LIFE B Terrence Malick |
| Online Access: |
Volltext (doi) Volltext (kostenfrei) |
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| 520 | |a While most interpretations of Terrence Malick's 2011 The Tree of Life concentrate on the film's theological resonances, I focus here on The Tree of Life's political vision. I locate this vision in the fraught relationship between two influential strands of American religio-political thought, Augustinianism and Emersonianism. The Tree of Life's theological concerns are undoubtedly Augustinian, yet it takes up a similar radical politics as what Emerson did in his best-known essays. The result, I argue, is a cinema of religio-political possibility with important implications for a potential rapproachment between religionists (namely evangelical Christians) and secularists, particularly on the topic of environmental conservation and sustainability. | ||
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