The Great Aesthetic Inspiration: On Ivan Aguéli's Reading of Swedenborg
AbstractIvan Aguéli is known not only as an artist but also as Sweden's first (famous) convert to Islam and as an initiate in the Sufi order Shadhiliyya-Arabiyya. Sufism's role in Aguéli's life and its significance for his theory of art and style of painting have been analyzed primari...
Auteur principal: | |
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Type de support: | Électronique Article |
Langue: | Anglais |
Vérifier la disponibilité: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Publié: |
Brill
[2019]
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Dans: |
Religion and the arts
Année: 2019, Volume: 23, Numéro: 1/2, Pages: 1-25 |
Sujets / Chaînes de mots-clés standardisés: | B
Swedenborg, Emanuel 1688-1772
/ Aguéli, Ivan 1869-1917
/ Philosophie des religions
/ Esthétique
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RelBib Classification: | AG Vie religieuse BJ Islam KBE Scandinavie |
Sujets non-standardisés: | B
Theosophy
B Emanuel Swedenborg B Symbolism B Ivan Aguéli B Modernism |
Accès en ligne: |
Volltext (Resolving-System) Volltext (doi) |
Résumé: | AbstractIvan Aguéli is known not only as an artist but also as Sweden's first (famous) convert to Islam and as an initiate in the Sufi order Shadhiliyya-Arabiyya. Sufism's role in Aguéli's life and its significance for his theory of art and style of painting have been analyzed primarily by Viveca Wessel (1988). This article will instead analyze Aguéli's relationship to the writings of Emanuel Swedenborg (1688-1772), which extends far back in his life, and how they influenced Aguéli's philosophy of religion and view of art. |
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ISSN: | 1568-5292 |
Contient: | Enthalten in: Religion and the arts
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Persistent identifiers: | DOI: 10.1163/15685292-02301001 |