The Hidden Player on the Instrument of Reason: The Adventures of a Simile

This essay focuses on the simile of the hidden player on the instrument of reason (and variant versions) which occurs at least ten times in the works of Herman Dooyeweerd. Invariably, the context is his critique of the (alleged) autonomy of thought. The purpose of the simile seems clear: pointing at...

Description complète

Enregistré dans:  
Détails bibliographiques
Auteur principal: Griffioen, Sander 1941- (Auteur)
Type de support: Électronique Article
Langue:Anglais
Vérifier la disponibilité: HBZ Gateway
Journals Online & Print:
En cours de chargement...
Fernleihe:Fernleihe für die Fachinformationsdienste
Publié: Brill [2019]
Dans: Philosophia reformata
Année: 2019, Volume: 84, Numéro: 1, Pages: 31-57
RelBib Classification:KAJ Époque contemporaine
KDD Église protestante
VA Philosophie
Sujets non-standardisés:B Participation
B Herman Dooyeweerd
B Personalism
B transcendental philosophy
B History of Philosophy
Accès en ligne: Volltext (Resolving-System)
Volltext (doi)
Description
Résumé:This essay focuses on the simile of the hidden player on the instrument of reason (and variant versions) which occurs at least ten times in the works of Herman Dooyeweerd. Invariably, the context is his critique of the (alleged) autonomy of thought. The purpose of the simile seems clear: pointing at the person of the thinker behind the veil of reason in order to dispel the myth of religious neutrality. Although this is indeed the accepted view among interpreters, it is argued that it fails to do justice to Dooyeweerd's emphasis on participation. The player, the instrument, and the central motif of the music are insolubly interconnected. In the second half of the paper, the idea of participation is highlighted as a counterpoise against both the alleged autonomy of thought and a penchant for personalism among Reformational philosophers.
ISSN:2352-8230
Contient:Enthalten in: Philosophia reformata
Persistent identifiers:DOI: 10.1163/23528230-08401080