God's Will or Peoples' Power. Believing in Sonic Environments
The article approaches the issue of believing and making believe from the point of view of sound and music. According to the classical aesthetic theory of Hegel, the power of music takes a grip on the subject and animates it. According to a newer theory of cultural techniques and to media thinking,...
| Auteur principal: | |
|---|---|
| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
Ed. de l'Ecole des Hautes Etudes en Sciences Sociales
[2019]
|
| Dans: |
Archives de sciences sociales des religions
Année: 2019, Volume: 187, Pages: 149-169 |
| Sujets / Chaînes de mots-clés standardisés: | B
Hegel, Georg Wilhelm Friedrich 1770-1831, Vorlesungen über die Ästhetik
/ Musique
/ Milieu
/ Sensation
/ Foi
/ Volonté de Dieu
/ Libre arbitre
|
| RelBib Classification: | AB Philosophie de la religion AG Vie religieuse CB Spiritualité chrétienne |
| Sujets non-standardisés: | B
Environmental thinking
B Electronic Music B Cultural Techniques B Twelve-Tone Composition B Sound Media |
| Accès en ligne: |
Accès probablement gratuit Volltext (Resolving-System) Volltext (doi) |
| Résumé: | The article approaches the issue of believing and making believe from the point of view of sound and music. According to the classical aesthetic theory of Hegel, the power of music takes a grip on the subject and animates it. According to a newer theory of cultural techniques and to media thinking, the individual and the social space, the subjective and the objective are much more entangled. Arnold Schoenberg, in negotiating religious space, establishes close relations between the animate and the inanimate, the human and the environmental in his opera "Moses and Aron". Music and sound do not force themselves upon the listeners, but summon them to perceive and make new differences and decisions. Jean-Marie Straub and Danièle Huillet in their adaptation of the opera still enforce this entanglement towards an ecological understanding of social relations. |
|---|---|
| ISSN: | 1777-5825 |
| Contient: | Enthalten in: Archives de sciences sociales des religions
|
| Persistent identifiers: | DOI: 10.4000/assr.46097 |