An Episode in the History of an Acoustic Mask: Philadelphia, 1908
In 1908, two black Cuban brothers, held a temple on Philadelphia's North Fairmount Avenue, which appears to have combined Edinsonian sound technology with elements from the ritual repertoire of the Abakuá male esoteric brotherhood. I suggest that the technologically enriched "echo" of...
Main Author: | |
---|---|
Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
Ed. de l'Ecole des Hautes Etudes en Sciences Sociales
[2019]
|
In: |
Archives de sciences sociales des religions
Year: 2019, Volume: 187, Pages: 127-147 |
Standardized Subjects / Keyword chains: | B
Philadelphia, Pa.
/ Abakuá (Secret society)
/ Ritual
/ Afrokubanische Musik
/ Electronics
|
RelBib Classification: | AG Religious life; material religion AZ New religious movements KBR Latin America |
Further subjects: | B
Technology
B Afro-Cuban religions B Ritual B Sound |
Online Access: |
Presumably Free Access Volltext (Resolving-System) Volltext (doi) |
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520 | |a In 1908, two black Cuban brothers, held a temple on Philadelphia's North Fairmount Avenue, which appears to have combined Edinsonian sound technology with elements from the ritual repertoire of the Abakuá male esoteric brotherhood. I suggest that the technologically enriched "echo" of the Leal brothers can be analysed heuristically as the locus of a remarkable convergence between phonic and auditory ideologies underlying the mediation of the divine in the Abakuá, and acoustic transmission technologies through time and space - particularly telephony and phonography - that had begun to reconfigure the Western auditory worlds by the second half of the 19th century. | ||
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