“Cherchons la femme!”: the dynamics of gender relations and emergent complexity in Neolithic Çatalhöyük
Ever since the first artefacts and structures of Çatalhöyük were excavated by James Mellaart in the 1960s, researchers have debated why sedentary farmers, whose diet included domesticated plants, sheep and goat, displayed a myriad of aurochs bull and other hunting trophies inside some of their house...
| Authors: | ; |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Unisa Press
2018
|
| In: |
Journal for semitics
Year: 2018, Volume: 27, Issue: 2, Pages: 1-24 |
| Standardized Subjects / Keyword chains: | B
Çatal Hüyük
/ Horn
/ House
/ Trophy
/ Relationship
/ Man
/ Woman
/ History
|
| RelBib Classification: | BC Ancient Orient; religion |
| Further subjects: | B
Çatalhöyük
B Hunting idiom B Gender tension B Neolithic B Women's constructs |
| Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
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| 245 | 1 | 0 | |a “Cherchons la femme!” |b the dynamics of gender relations and emergent complexity in Neolithic Çatalhöyük |c Jean-Marie Dederen and Jennifer Mokakabye |
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| 520 | |a Ever since the first artefacts and structures of Çatalhöyük were excavated by James Mellaart in the 1960s, researchers have debated why sedentary farmers, whose diet included domesticated plants, sheep and goat, displayed a myriad of aurochs bull and other hunting trophies inside some of their houses. Equally puzzling have been two parallel developments in the later habitation levels. On the one hand the excavators noted how the wild animal trophies gradually decreased in number and eventually faded away towards the final Neolithic occupation. On the other hand they established that the material and symbolic presence of women in this prehistoric town was growing stronger. It is proposed that these two processes were connected and that they can be elucidated in terms of the female–male dialectic which may have generated them. | ||
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| STA | 0 | 0 | |a History,History,History in art,Horn,Horn,House,House,Residential building,Man,Man,Male person,Relationship,Relationship,Connection,Trophy,Woman,Adult woman,Women,Women,Women in art |
| STB | 0 | 0 | |a Cor,Corne,Femme,Femme,Femmes,Femmes,Histoire,Histoire,Histoire,Homme,Homme,Maison,Maison,Relation,Relation,Trophée |
| STC | 0 | 0 | |a Casa,Casa,Cuerno,Cuerno,Historia,Historia,Historia,Hombre,Hombre,Mujer,Mujer,Mujeres,Relación,Relación,Relacionamiento,Relacionamiento,Trofeo |
| STD | 0 | 0 | |a Casa,Casa,Corno,Corno,Donna,Donna,Relazione,Relazione,Storia,Storia,Trofeo,Uomo,Uomo |
| STE | 0 | 0 | |a 关系,历史,史,号,角,女人,女人,女残疾人土,妇女,女子,妇女,女子,房屋,房子,男人,男人 |
| STF | 0 | 0 | |a 奖杯,女人,女人,女殘疾人土,婦女,女子,婦女,女子,房屋,房子,歷史,史,男人,男人,號,角,關係 |
| STG | 0 | 0 | |a Casa,Casa,Corno,Corno,Chifre,Chifre,História,História,Homem,Homem,Mulher,Mulher,Relação,Relação,Relacionamento,Relacionamento,Troféu |
| STH | 0 | 0 | |a Горн (мотив),Горн,Дом (мотив),Дом,Женщина (мотив),Женщина,История (мотив),История,Мужчина (мотив),Мужчина,Отношения (мотив),Отношения |
| STI | 0 | 0 | |a Άνδρας <μοτίβο>,Άνδρας,Άντρας,Άντρας (μοτίβο),Γυναίκα (μοτίβο),Γυναίκα,Ιστορία (μοτίβο),Ιστορία,Κόρνα (μουσικό όργανο),Κέρατο,Σπίτι (μοτίβο),Σπίτι,Σχέση (μοτίβο),Σχέση |
| SUB | |a BIB |a REL | ||
| SYG | 0 | 0 | |a Çatal Höyük,Çatalhöyük,Çatalhüyük , Hr,Tierhorn , Stadtgemeinde Horn, Niederösterreich,Horn , Wohnbauten,Wohngebäude,Wohnhaus,Häuser , Kriegstrophäe , Wechselbeziehung,Beziehungen , Männerbild,Erwachsener Mann,Männlicher Erwachsener,Männer , Frauen,Frauendarstellung,Frauengestalt,Frauenbild,Erwachsene Frau,Weib,Weibliche Erwachsene,Frauen , History,Geschichtliche Epoche,Historical development,Historische Entwicklung,Landesgeschichte,Regionalgeschichte,Ortsgeschichte,Zeitgeschichte |