The Spirit is Willing, but the Flesh is Weak: Embodied Transcendence and Sacred Spectatorship in The Robe (1953)
In this paper, I argue that the reintroduction of widescreen technology with the release of Fox's The Robe in 1953 promised spectators the ability to encounterthrough powerful, embodied immersionthe moment when historical time reached its fulfillment at Christ's death. However, the fact...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Taylor & Francis
[2019]
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| In: |
Material religion
Year: 2019, Volume: 15, Issue: 3, Pages: 347-368 |
| Standardized Subjects / Keyword chains: | B
The Robe (Film)
/ Transcendence
/ Temporality
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| Further subjects: | B
Epic
B CinemaScope B widescreen B Embodiment B Temporality B Affect |
| Online Access: |
Volltext (Resolving-System) |