At the Threshold: Tobi Kahn's Interfaith Spaces
The article provides a study related to American painter Tobi Kahn's artistic process, complemented by interviews with individuals from multiple traditions, who have both commissioned and experienced his works. It discusses how Kahn's work reveal an important lesson for both art, theology...
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| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
The University of North Carolina Press
2018
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| Dans: |
Cross currents
Année: 2018, Volume: 68, Numéro: 3, Pages: 435-456 |
| Sujets / Chaînes de mots-clés standardisés: | B
Kahn, Tobi 1952-
/ Dialogue interreligieux
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| RelBib Classification: | AX Dialogue interreligieux CC Christianisme et religions non-chrétiennes; relations interreligieuses KBQ Amérique du Nord |
| Sujets non-standardisés: | B
Religion & Sociology
B ART & religion B Aesthetics B Interfaith Relations B Interfaith Dialogue |
| Accès en ligne: |
Volltext (lizenzpflichtig) |
| Résumé: | The article provides a study related to American painter Tobi Kahn's artistic process, complemented by interviews with individuals from multiple traditions, who have both commissioned and experienced his works. It discusses how Kahn's work reveal an important lesson for both art, theology and interfaith dialogue. It reports how Kahn's vision of interreligious aesthetics evolved. |
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| ISSN: | 1939-3881 |
| Contient: | Enthalten in: Cross currents
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| Persistent identifiers: | DOI: 10.1111/cros.12324 |