Sound and communication: an aesthetic cultural history of Sanskrit Hinduism
In Hindu India both orality and sonality have enjoyed great cultural significance since earliest times. They have a distinct influence on how people approach texts. The importance of sound and its perception has led to rites, models of cosmic order, and abstract formulas. Sound serves both to stimul...
| Autres titres: | Aesthetic cultural history of Sanskrit Hinduism |
|---|---|
| Auteur principal: | |
| Collaborateurs: | |
| Type de support: | Électronique Livre |
| Langue: | Anglais |
| Service de livraison Subito: | Commander maintenant. |
| Vérifier la disponibilité: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
Berlin New York
De Gruyter
2011
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| Dans: | Année: 2011 |
| Collection/Revue: | Religion and society 1437-5370
v. 41 Religion and society v. 41 |
| Sujets non-standardisés: | B
India
Religious life and customs
B Son Religious aspects Hinduism B Tantrism B Hinduism B Sound ; Religious aspects ; Hinduism B Hinduism India B India B Hinduism (India) B Electronic resource B Tantrism India B Electronic books B RELIGION ; Comparative Religion B Tantrism (India) |
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| 245 | 1 | 0 | |a Sound and communication |b an aesthetic cultural history of Sanskrit Hinduism |c Annette Wilke, Oliver Moebus |
| 246 | 3 | 3 | |a Aesthetic cultural history of Sanskrit Hinduism |
| 264 | 1 | |a Berlin |a New York |b De Gruyter |c 2011 | |
| 300 | |a Online Ressource (xxiii, 1112 pages) |b illustrations. | ||
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| 490 | 0 | |a Religion and society |v v. 41 | |
| 500 | |a Includes bibliographical references (pages 1051-1096) and index. - Description based on print version record | ||
| 520 | |a In Hindu India both orality and sonality have enjoyed great cultural significance since earliest times. They have a distinct influence on how people approach texts. The importance of sound and its perception has led to rites, models of cosmic order, and abstract formulas. Sound serves both to stimulate religious feelings and to give them a sensory form. Starting from the perception and interpretation of sound, the authors chart an unorthodox cultural history of India, turning their attention to an important, but often neglected aspect of daily religious life. They provide a stimulating contribution to the study of cultural systems of perception that also adds new aspects to the debate on orality and literality | ||
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