Spielarten des Gottes-Genusses: Semantiken des Genießens in der europäischen Frauenmystik des 13. Jahrhunderts

In women's mystic texts of the late Middle Ages, forms of pleasure were devised and tested that by far eclipse much of what appears to be extreme and daring today. Pain and pleasure were blended into each other without diminishing the tension of both extremes. By ingenious use of semantics, And...

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Détails bibliographiques
Autres titres:"Geniessen Gottes" in der europäischen Frauenmystik des 13. Jahrhunderts
Auteur principal: Zech, Andrea (Auteur)
Type de support: Imprimé Livre
Langue:Allemand
Service de livraison Subito: Commander maintenant.
Vérifier la disponibilité: HBZ Gateway
Fernleihe:Fernleihe für die Fachinformationsdienste
Publié: Göttingen Bristol, CT Vandenhoeck & Ruprecht [2015]
Dans: Historische Semantik (Band 25)
Année: 2015
Collection/Revue:Historische Semantik Band 25
Sujets / Chaînes de mots-clés standardisés:B Mechthild, von Magdeburg 1210-1282, Das fließende Licht der Gottheit / Hadewijch 1200-1260, Visioenen / Marguerite, Porète 1250-1310, Le mirouer des simples âmes anienties et qui seulement demourent en vouloir et desir d'amour / Enjoyment / Metaphor / Semantics
B Feminine Mysticism / Language / History 1200-1300
B Europe / Feminine Mysticism / History 1200-1300
B Mechthild, von Magdeburg 1210-1282, Das fließende Licht der Gottheit
B Hadewijch 1200-1260, Visioenen
B Marguerite, Porète 1250-1310, Le mirouer des simples âmes anienties et qui seulement demourent en vouloir et desir d'amour
RelBib Classification:AF Géographie religieuse
RA Théologie pastorale; théologie pratique
Sujets non-standardisés:B Women mystics (Europe) Psychology
B Thesis 2011 (Freiburg, Breisgau)
B Pleasure Religious aspects Christianity
B Mystical Union History To 1500
Accès en ligne: Inhaltstext (Verlag)
Table des matières
Description
Résumé:In women's mystic texts of the late Middle Ages, forms of pleasure were devised and tested that by far eclipse much of what appears to be extreme and daring today. Pain and pleasure were blended into each other without diminishing the tension of both extremes. By ingenious use of semantics, Andrea Zech's study demonstrates impressively how recipients can follow and comprehend the pleasure of God imaginatively and performatively. In a language of its own, pleasure is thus portrayed like a postmodern performance without denying its otherness
Description:Literaturverzeichnis: Seite 363-375
Institution und Jahr der Diss. erm., geschrieben u.d.T.: "Geniessen Gottes" in der europäischen Frauenmystik des 13. Jahrhunderts
ISBN:3525367279