Muslim rap, halal soaps, and revolutionary theater: artistic developments in the Muslim world
Part 1. Artistic developments in the Muslim cultural sphere: ethics, aesthetics, and the performing arts / Karin van Nieuwkerk -- The power of performance. Hardcore Muslims: Islamic themes in Turkish rap between diaspora and homeland / Thomas Solomon -- Contesting Islamic concepts of morality: heavy...
| Contributors: | |
|---|---|
| Format: | Print Book |
| Language: | English |
| Subito Delivery Service: | Order now. |
| Check availability: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Austin, Tex.
University of Texas Press
2011
|
| In: | Year: 2011 |
| Standardized Subjects / Keyword chains: | B
Western world
/ Muslim
/ Pop culture
B Islamic countries / Islam / Popular culture |
| Further subjects: | B
Collection of essays
B Muslims (Non-Islamic countries) Social conditions 21st century B Arts (Islamic countries) B Islamic civilization Western influences B Popular Culture (Islamic countries) B Islam and art |
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| 245 | 1 | 0 | |a Muslim rap, halal soaps, and revolutionary theater |b artistic developments in the Muslim world |c ed. by Karin van Nieuwkerk |
| 264 | 1 | |a Austin, Tex. |b University of Texas Press |c 2011 | |
| 300 | |a VI, 291 Seiten |b Illustrationen |c 24 cm. | ||
| 336 | |a Text |b txt |2 rdacontent | ||
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| 500 | |a Hier auch später erschienene, unveränderte Nachdrucke | ||
| 500 | |a Includes bibliographical references and index | ||
| 500 | |a ©2011 | ||
| 505 | 8 | 0 | |t Part 1. Artistic developments in the Muslim cultural sphere: ethics, aesthetics, and the performing arts |r Karin van NieuwkerkThe power of performance. Hardcore Muslims: Islamic themes in Turkish rap between diaspora and homeland / Thomas Solomon |
| 505 | 8 | 0 | |t Part 1. Artistic developments in the Muslim cultural sphere: ethics, aesthetics, and the performing arts |r Karin van Nieuwkerk |
| 505 | 8 | 0 | |t Contesting Islamic concepts of morality: heavy metal in Istanbul |r Pierre Hecker |
| 505 | 8 | 0 | |t Iranian popular music in Los Angeles: a transnational public beyond the Islamic state |r Farzaneh Hemmasi |
| 505 | 8 | 0 | |t Part 2. Motivations. Ritual as strategic action: the social logic of musical silence in Canadian Islam |r Michael Frishkopf |
| 505 | 8 | 0 | |t Pious entertainment: Hizbullah's Islamic cultural sphere /Joseph Alagha ; Of morals, missions, and the market: new religiosity and "art with a mission" in Egypt |r Karin van Nieuwkerk |
| 505 | 8 | 0 | |t Part 3. Staging the body and the world stage. Islamic modernity and the re-enchanting power of symbols in Islamic fantasy serials in Turkey |r Ahu Yiğit |
| 505 | 8 | 0 | |t From "evil-inciting" dance to chaste "rhythmic movements": a genealogy of modern Islamic dance-theatre in Iran |r Zeinab stellar |
| 505 | 8 | 0 | |t Suficized musics of Syria at the intersection of heritage and the War on Terror; or "a Rumi with a view" |r Jonathan H. Shannon |
| 505 | 8 | 0 | |t Afterword |r Martin Stokes. |
| 505 | 8 | 0 | |t The power of performance. Hardcore Muslims: Islamic themes in Turkish rap between diaspora and homeland |r Thomas Solomon |
| 505 | 8 | 0 | |t Contesting Islamic concepts of morality: heavy metal in Istanbul |r Pierre Hecker |
| 505 | 8 | 0 | |t Iranian popular music in Los Angeles: a transnational public beyond the Islamic state |r Farzaneh Hemmasi |
| 505 | 8 | 0 | |t Part 2. Motivations. Ritual as strategic action: the social logic of musical silence in Canadian Islam |r Michael Frishkopf |
| 505 | 8 | 0 | |t Pious entertainment: Hizbullah's Islamic cultural sphere /Joseph Alagha ; Of morals, missions, and the market: new religiosity and "art with a mission" in Egypt |r Karin van Nieuwkerk |
| 505 | 8 | 0 | |t Part 3. Staging the body and the world stage. Islamic modernity and the re-enchanting power of symbols in Islamic fantasy serials in Turkey |r Ahu Yiğit |
| 505 | 8 | 0 | |t From "evil-inciting" dance to chaste "rhythmic movements": a genealogy of modern Islamic dance-theatre in Iran |r Zeinab stellar |
| 505 | 8 | 0 | |t Suficized musics of Syria at the intersection of heritage and the War on Terror; or "a Rumi with a view" |r Jonathan H. Shannon |
| 505 | 8 | 0 | |t Afterword |r Martin Stokes. |
| 520 | |a Part 1. Artistic developments in the Muslim cultural sphere: ethics, aesthetics, and the performing arts / Karin van Nieuwkerk -- The power of performance. Hardcore Muslims: Islamic themes in Turkish rap between diaspora and homeland / Thomas Solomon -- Contesting Islamic concepts of morality: heavy metal in Istanbul / Pierre Hecker -- Iranian popular music in Los Angeles: a transnational public beyond the Islamic state / Farzaneh Hemmasi -- Part 2. Motivations. Ritual as strategic action: the social logic of musical silence in Canadian Islam / Michael Frishkopf -- Pious entertainment: Hizbullah's Islamic cultural sphere /Joseph Alagha -- Of morals, missions, and the market: new religiosity and "art with a mission" in Egypt / Karin van Nieuwkerk -- Part 3. Staging the body and the world stage. Islamic modernity and the re-enchanting power of symbols in Islamic fantasy serials in Turkey / Ahu Yiğit -- From "evil-inciting" dance to chaste "rhythmic movements": a genealogy of modern Islamic dance-theatre in Iran / Zeinab stellar -- Suficized musics of Syria at the intersection of heritage and the War on Terror; or "a Rumi with a view" / Jonathan H. Shannon -- Afterword / Martin Stokes | ||
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