A printed icon in early modern Italy: Forlì's Madonna of the Fire
"In 1428, a devastating fire destroyed a schoolhouse in the northern Italian city of Forlì, leaving only a woodcut of the Madonna and Child that had been tacked to the classroom wall. The people of Forlì carried that print - now known as the Madonna of the Fire - into their cathedral, where two...
| Main Author: | |
|---|---|
| Format: | Print Book |
| Language: | English |
| Subito Delivery Service: | Order now. |
| Check availability: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
New York, NY
Cambridge University Press
2015
|
| In: | Year: 2015 |
| Edition: | 1. publ. |
| Standardized Subjects / Keyword chains: | B
Madonna del Fuoco
B Forlì / Marian devotion / Madonna del Fuoco / History |
| Further subjects: | B
Wood-engraving, Italian 15th century
B Veneration of icons Cult (Italy) (Forlì) B Jesus Christ Species B Madonna of the fire B Mary Blessed Virgin, Saint Species |
| Online Access: |
Cover (Verlag) Inhaltsverzeichnis (Verlag) |
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| 245 | 1 | 2 | |a A printed icon in early modern Italy |b Forlì's Madonna of the Fire |c Lisa Pon |
| 250 | |a 1. publ. | ||
| 264 | 1 | |a New York, NY |b Cambridge University Press |c 2015 | |
| 300 | |a xiv, 288 S. |b Ill. |c 27 cm | ||
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| 500 | |a Hier auch später erschienene, unveränderte Nachdrucke | ||
| 505 | 8 | 0 | |a Thing. Iconography: Madonna and child; Imprint: paper, print, and matrix; Emplacement. Miracle: the fire of February 4, 1428; Domestic display: Lombardino da Ripetrosa's schoolhouse; Ecclesiastical enshrinement: the cathedral of Forlì; Mobilities. Moving in the city: the translation of 1636; Mobile in print: the procession on paper; Multiplied: the Madonna of the Fire in Forlì and beyond. |
| 520 | |a "In 1428, a devastating fire destroyed a schoolhouse in the northern Italian city of Forlì, leaving only a woodcut of the Madonna and Child that had been tacked to the classroom wall. The people of Forlì carried that print - now known as the Madonna of the Fire - into their cathedral, where two centuries later a new chapel was built to enshrine it. In this book, Lisa Pon considers a cascade of moments in the Madonna of the Fire's cultural biography: when ink was impressed onto paper at a now-unknown date; when that sheet was recognized by Forlì's people as miraculous; when it was enshrined in various tabernacles and chapels in the cathedral; when it or one of its copies was - and still is - carried in procession. In doing so, Pon offers an experiment in art historical inquiry that spans more than three centuries of making, remaking, and renewal"-- | ||
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