Classical myths in Italian Renaissance painting

"The book is about a new development in Italian Renaissance art; its aim is to show how artists and humanists came together to effect this revolution, it is important because this is a long-ignored but crucial aspect of the Italian Renaissance, showing us why the masterpieces we take for grante...

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Détails bibliographiques
Auteur principal: Freedman, Luba 1953- (Auteur)
Type de support: Imprimé Livre
Langue:Anglais
Service de livraison Subito: Commander maintenant.
Vérifier la disponibilité: HBZ Gateway
Fernleihe:Fernleihe für die Fachinformationsdienste
Publié: Cambridge [u.a.] Cambridge University Press 2011
Dans:Année: 2011
Recensions:[Rezension von: Freedman, Luba, Classical Myths in Italian Renaissance Painting] (2012) (Zuraw, Shelley E.)
Édition:1. publ.
Sujets / Chaînes de mots-clés standardisés:B Italie / Peinture / Mythologie / Histoire 1420-1600
B Mythologie / Antiquité / Réception <scientifique> / Italie / Peinture / Mythe (Motif) / Histoire 1400-1600
Sujets non-standardisés:B Mythology, Classical, in art
B Painting, Italian Themes, motives
B Painting, Italian Themes, motives
B Painting, Renaissance (Italy) Themes, motives
B Painting, Renaissance Italy Themes, motives
Accès en ligne: Autorenbiografie (Verlag)
Autorenbiografie (Verlag)
Inhaltsverzeichnis (Verlag)
Verlagsangaben (Verlag)
Verlagsangaben (Verlag)
Description
Résumé:"The book is about a new development in Italian Renaissance art; its aim is to show how artists and humanists came together to effect this revolution, it is important because this is a long-ignored but crucial aspect of the Italian Renaissance, showing us why the masterpieces we take for granted are the way they are, and thre is no competitor in the field. The book sheds light on some of the world's greatest masterpirces of art, including Botticelli's Venus, Leonardo's Leda, Raphael's Galatea, and Titian's Bacchus and Ariadne"--
"The book is about a new development in Italian Renaissance art; its aim is to show how artists and humanists came together to effect this revolution, it is important because this is a long-ignored but crucial aspect of the Italian Renaissance, showing us why the masterpieces we take for granted are the way they are, and thre is no competitor in the field. The book sheds light on some of the world's greatest masterpirces of art, including Botticelli's Venus, Leonardo's Leda, Raphael's Galatea, and Titian's Bacchus and Ariadne"--
Description:Includes bibliographical references and index
Hier auch später erschienene, unveränderte Nachdrucke
ISBN:1107001196