Classical myths in Italian Renaissance painting

"The book is about a new development in Italian Renaissance art; its aim is to show how artists and humanists came together to effect this revolution, it is important because this is a long-ignored but crucial aspect of the Italian Renaissance, showing us why the masterpieces we take for grante...

Ausführliche Beschreibung

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Bibliographische Detailangaben
1. VerfasserIn: Freedman, Luba 1953- (VerfasserIn)
Medienart: Druck Buch
Sprache:Englisch
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Verfügbarkeit prüfen: HBZ Gateway
Fernleihe:Fernleihe für die Fachinformationsdienste
Veröffentlicht: Cambridge [u.a.] Cambridge University Press 2011
In:Jahr: 2011
Rezensionen:[Rezension von: Freedman, Luba, Classical Myths in Italian Renaissance Painting] (2012) (Zuraw, Shelley E.)
Ausgabe:1. publ.
normierte Schlagwort(-folgen):B Italien / Malerei / Mythologie / Geschichte 1420-1600
B Mythologie / Antike / Rezeption / Italien / Malerei / Mythos (Motiv) / Geschichte 1400-1600
weitere Schlagwörter:B Mythology, Classical, in art
B Painting, Italian Themes, motives
B Painting, Italian Themes, motives
B Painting, Renaissance (Italy) Themes, motives
B Painting, Renaissance Italy Themes, motives
Online Zugang: Autorenbiografie (Verlag)
Autorenbiografie (Verlag)
Inhaltsverzeichnis (Verlag)
Verlagsangaben (Verlag)
Verlagsangaben (Verlag)
Beschreibung
Zusammenfassung:"The book is about a new development in Italian Renaissance art; its aim is to show how artists and humanists came together to effect this revolution, it is important because this is a long-ignored but crucial aspect of the Italian Renaissance, showing us why the masterpieces we take for granted are the way they are, and thre is no competitor in the field. The book sheds light on some of the world's greatest masterpirces of art, including Botticelli's Venus, Leonardo's Leda, Raphael's Galatea, and Titian's Bacchus and Ariadne"--
"The book is about a new development in Italian Renaissance art; its aim is to show how artists and humanists came together to effect this revolution, it is important because this is a long-ignored but crucial aspect of the Italian Renaissance, showing us why the masterpieces we take for granted are the way they are, and thre is no competitor in the field. The book sheds light on some of the world's greatest masterpirces of art, including Botticelli's Venus, Leonardo's Leda, Raphael's Galatea, and Titian's Bacchus and Ariadne"--
Beschreibung:Includes bibliographical references and index
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ISBN:1107001196