The perfect genre: drama and painting in Renaissance Italy
Introduction: written drama and visual art -- Delighting the spirit: Belcari's Rappresentazione quando la Nostra Donna Vergine Maria fu annunziata dall'Angelo Gabriello -- Writing for the eyes: Trissino's Sofonisba (1514-15) -- The arts of monument: Caro's Comedia degli straccion...
Auteur principal: | |
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Type de support: | Imprimé Livre |
Langue: | Anglais |
Service de livraison Subito: | Commander maintenant. |
Vérifier la disponibilité: | HBZ Gateway |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Publié: |
Farnham, Surrey [u.a.]
Ashgate
2011
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Dans: | Année: 2011 |
Recensions: | [Rezension von: Phillips-Court, Kristin, The Perfect Genre: Drama and Painting in Renaissance Italy] (2013) (Modolo, Elisa)
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Sujets / Chaînes de mots-clés standardisés: | B
Italie
/ Peinture
/ Dessin
/ Histoire 1420-1600
B Italie / Peinture / Théâtre / Histoire 1420-1600 B Italie / Texte / Image |
Sujets non-standardisés: | B
Art and literature (Italy)
History 16th century
B Art and literature (Italy) History 15th century B Italian drama To 1700 History and criticism B Painting, Renaissance (Italy) |
Accès en ligne: |
Inhaltsverzeichnis (Verlag) |
Résumé: | Introduction: written drama and visual art -- Delighting the spirit: Belcari's Rappresentazione quando la Nostra Donna Vergine Maria fu annunziata dall'Angelo Gabriello -- Writing for the eyes: Trissino's Sofonisba (1514-15) -- The arts of monument: Caro's Comedia degli straccioni (1543) -- The interpreter's tale: Tasso's Aminta (1573) -- Perspective's end: Bruno's Candelaio (1582) |
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Description: | Includes bibliographical references and index |
ISBN: | 1409406830 |