Picturing the "pregnant" Magdalene in Northern art, 1430 - 1550: addressing and undressing the sinner-saint
Examining innovations in Mary Magdalene imagery in northern art 1430 to 1550, Penny Jolly explores how the saint's widespread popularity drew upon her ability to embody oppositions and embrace a range of paradoxical roles: sinner-prostitute and saint, erotic seductress and holy prophet. Analyzi...