The Crossroads of Plastination and Pilgrimage
At the Singapore Science Centre in 2010, I went to Body Worlds, an exhibit set up by the Institute for Plastination, founded by Gunther von Hagens. As I later learned, he pioneered plastinationthe art, science, and technique of preserving entire bodies and body parts for use in medical and anatomic...
Main Author: | |
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Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
MDPI
[2018]
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In: |
Religions
Year: 2018, Volume: 9, Issue: 3, Pages: 1-10 |
Further subjects: | B
Ethics
B Plastination B Pilgrimage B Self-discovery B Death B exhibits B Thanatology B Living Will |
Online Access: |
Presumably Free Access Volltext (Verlag) Volltext (doi) |
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520 | |a At the Singapore Science Centre in 2010, I went to Body Worlds, an exhibit set up by the Institute for Plastination, founded by Gunther von Hagens. As I later learned, he pioneered plastinationthe art, science, and technique of preserving entire bodies and body parts for use in medical and anatomical research, exhibition, or both. A few months after, I made the decision to donate my body after death to the Institute under arrangements similar to that of a Living Will. In my visits to two other Body World exhibits in Germany and the Netherlands, I have seen organs perfectly preserved and had thoughts occur to me that one day, I may well be an exhibit specimen instead of an exhibit attendee. By establishing a connection with existing pilgrimage literature; and using a combination of thick description and pragmatic analyses; this paper puts forward the proposition that visits to these; and other similar; exhibits constitute a pilgrimage of and to the self. The paper also discusses the ethics and practical consequences of body donation; and evaluates the arguments for and against the body donation decision from the lenses of the person making the donation; the person's significant others; and societal influencers. The paper concludes by suggesting take-off points in discussing the connection between plastination and pilgrimage; particularly in the contexts of intercultural communication and religious studies. | ||
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