Knocking on a Saint's Door, or a Quest for Holiness in a Post-Secular Society

The article examines Successors (Nasledniki, 2015) directed by Vladimir Khotinenko, illustrating a recent trend in the Russian film-making industry, namely, a rising interest in religious topics. While the Orthodox faith is widely seen by Russian political leaders as a basic aspect of national ident...

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Auteurs: Naydenova, Natalia (Auteur) ; Ebzeeva, Yulia (Auteur)
Type de support: Électronique Article
Langue:Anglais
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Publié: MDPI [2017]
Dans: Religions
Année: 2017, Volume: 8, Numéro: 5, Pages: 1-9
Sujets non-standardisés:B Khotinenko
B religious cinema
B Saint Sergius of Radonezh
B Russian cinema
B Russian Orthodox Church
B post-secular society
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Résumé:The article examines Successors (Nasledniki, 2015) directed by Vladimir Khotinenko, illustrating a recent trend in the Russian film-making industry, namely, a rising interest in religious topics. While the Orthodox faith is widely seen by Russian political leaders as a basic aspect of national identity, the Church is also becoming more and more visible in the life of society, with religious holidays and events now receiving a higher profile in the public domain. The article analyzes how these trends shape the public consciousness and are reflected in the cinema production of recent years. Successors, a one location movie focusing on the debate over the role of Saint Sergius of Radonezh in the history of Russia, demonstrates that this 14th-century monk is very much present in the lives and minds of people 700 years later. In turn, this suggests that, under a layer of cynicism and consumerism, there is a growing hunger for holiness in a post-secular society.
ISSN:2077-1444
Contient:Enthalten in: Religions
Persistent identifiers:DOI: 10.3390/rel8050087