The Passion as Public Reflexivity: How the Dutch in a Ritual-musical Event Reflect on Religious and Moral Discussions in Society
This article analyses the public significance of The Passion—a televised retelling of the Passion of Jesus, featuring pop songs and celebrities in the Dutch public sphere. Using a multidisciplinary approach, the authors demonstrate how performances like The Passion offer spaces in which the Dutch ca...
| Auteurs: | ; ; |
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| Collaborateurs: | |
| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
Brill
2018
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| Dans: |
Journal of religion in Europe
Année: 2018, Volume: 11, Numéro: 2/3, Pages: 195-221 |
| Sujets / Chaînes de mots-clés standardisés: | B
The Passion (Manifestation)
/ Niederlande
/ Public
/ Réflexion (Philosophie)
/ Religion
/ Morale
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| RelBib Classification: | AB Philosophie de la religion AG Vie religieuse KBD Benelux |
| Sujets non-standardisés: | B
Passion Play
digital media
public sphere
religiosity
morality
the sacred
secular national identity
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| Accès en ligne: |
Accès probablement gratuit Volltext (Verlag) |
| Résumé: | This article analyses the public significance of The Passion—a televised retelling of the Passion of Jesus, featuring pop songs and celebrities in the Dutch public sphere. Using a multidisciplinary approach, the authors demonstrate how performances like The Passion offer spaces in which the Dutch can reflect publicly on important identity issues, such as the role of Christian heritage in a supposedly secular age. The article contributes to deeper knowledge of how Dutch late-modern society deals with its secular self-understanding. |
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| ISSN: | 1874-8929 |
| Contient: | In: Journal of religion in Europe
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| Persistent identifiers: | DOI: 10.1163/18748929-01102007 |