The Passion as Public Reflexivity: How the Dutch in a Ritual-musical Event Reflect on Religious and Moral Discussions in Society
This article analyses the public significance of The Passion—a televised retelling of the Passion of Jesus, featuring pop songs and celebrities in the Dutch public sphere. Using a multidisciplinary approach, the authors demonstrate how performances like The Passion offer spaces in which the Dutch ca...
| Authors: | ; ; |
|---|---|
| Contributors: | |
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Brill
2018
|
| In: |
Journal of religion in Europe
Year: 2018, Volume: 11, Issue: 2/3, Pages: 195-221 |
| Standardized Subjects / Keyword chains: | B
The Passion (Event)
/ Netherlands
/ Publicity
/ Reflection (Philosophy)
/ Religion
/ Morals
|
| RelBib Classification: | AB Philosophy of religion; criticism of religion; atheism AG Religious life; material religion KBD Benelux countries |
| Further subjects: | B
Passion Play
digital media
public sphere
religiosity
morality
the sacred
secular national identity
|
| Online Access: |
Presumably Free Access Volltext (Verlag) |
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| 520 | |a This article analyses the public significance of The Passion—a televised retelling of the Passion of Jesus, featuring pop songs and celebrities in the Dutch public sphere. Using a multidisciplinary approach, the authors demonstrate how performances like The Passion offer spaces in which the Dutch can reflect publicly on important identity issues, such as the role of Christian heritage in a supposedly secular age. The article contributes to deeper knowledge of how Dutch late-modern society deals with its secular self-understanding. | ||
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