No Ethics Without Things
Just as recognition and pursuit of the human good take place in language and action, so too do they unfold in encounter with the material and visual. The ethical crises, projects, and striving we see in everyday religious life are worked out not just in the intersubjective play and politics of langu...
| Auteur principal: | |
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| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
Wiley-Blackwell
[2016]
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| Dans: |
Journal of religious ethics
Année: 2016, Volume: 44, Numéro: 1, Pages: 51-67 |
| Sujets non-standardisés: | B
anthropology of art
B Material Culture B Islam B anthropology of ethics B A. D. Pirous B Indonesia |
| Accès en ligne: |
Accès probablement gratuit Volltext (Verlag) Volltext (doi) |
| Résumé: | Just as recognition and pursuit of the human good take place in language and action, so too do they unfold in encounter with the material and visual. The ethical crises, projects, and striving we see in everyday religious life are worked out not just in the intersubjective play and politics of language but also in encounter with, in dwelling with, material and visual substances and forms. This essay considers the material conditions that make possible the ethical pleasures sought by Indonesian painter A. D. Pirous in making and displaying contemporary works of Islamic art, most especially works that make visual recitation of passages from the Qur'an. |
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| ISSN: | 1467-9795 |
| Contient: | Enthalten in: Journal of religious ethics
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| Persistent identifiers: | DOI: 10.1111/jore.12131 |