Dürer’s Enigma
According to Panofsky’s widely-accepted theory, the subject of Albrecht Dürer’s engraving Melencolia § I (1514) was intended as a feminine personification of the liberal art Geometry and the temperament Melancholy. However, we argue that this synthesized personification is a façade. The formulaic ve...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Brill
2018
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| In: |
Aries
Year: 2018, Volume: 18, Issue: 2, Pages: 217-257 |
| Standardized Subjects / Keyword chains: | B
Dürer, Albrecht 1471-1528, Melancholy
/ Christian Kabbalah
/ Henoch Biblical character
/ Pico della Mirandola, Giovanni 1463-1494
/ Reuchlin, Johannes 1455-1522
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| RelBib Classification: | AG Religious life; material religion AZ New religious movements |
| Further subjects: | B
Albrecht Dürer
Renaissance art
Melencolia § I
Christian Kabbalah
Pico della Mirandola
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| Online Access: |
Volltext (Verlag) |